Most Recent

Seo Services
Π’ΠžΠ”ΠžΠ  Π“Π•ΠžΠ Π“Π˜Π•Π’Π‘ΠšΠ˜ – Π’Π•Π”Π˜

Π‘Ρ€Π΅Π·ΠΈ

Π’ΠžΠ”ΠžΠ  Π“Π•ΠžΠ Π“Π˜Π•Π’Π‘ΠšΠ˜ – Π’Π•Π”Π˜

Π ΠΎΠ΄Π΅Π½ Π²ΠΎ БкопјС 1935 Π³ΠΎΠ΄ΠΈΠ½Π° . Π”ΠΈΠΏΠ»ΠΎΠΌΠΈΡ€Π°Π» 1961 Π³ΠΎΠ΄ΠΈΠ½Π° Π½Π° АрхитСктонскиот Ρ„Π°ΠΊΡƒΠ»Ρ‚Π΅Ρ‚ Π²ΠΎ БкопјС, ΠΊΠ°Π΄Π΅ слободно Ρ†Ρ€Ρ‚Π°ΡšΠ΅ ΠΈ Π°ΠΊΠ²Π°Ρ€Π΅Π» студирал кај ΠΏΡ€ΠΎΡ„. Π‰ΡƒΠ±ΠΎΠΌΠΈΡ€ БСлогаски.

Π–ΠΈΠ²Π΅Π΅Π» ΠΈ Ρ€Π°Π±ΠΎΡ‚Π΅Π» Π²ΠΎ БкопјС ΠΊΠ°ΠΊΠΎ Π°Ρ€Ρ…ΠΈΡ‚Π΅ΠΊΡ‚-ΠΏΡ€ΠΎΠ΅ΠΊΡ‚Π°Π½Ρ‚ ΠΈ Π°ΠΊΡ‚ΠΈΠ²Π½ΠΎ сС Π±Π°Π²Π΅Π» со сликарство.
Π§Π»Π΅Π½ Π½Π° Π”Π›Π£Πœ Π±ΠΈΠ» ΠΎΠ΄ 1986 Π³ΠΎΠ΄ΠΈΠ½Π°.
ΠŸΠΎΡ‡ΠΈΠ½Π° Π²ΠΎ БкопјС, Π½ΠΎΠ΅ΠΌΠ²Ρ€ΠΈ 2010 Π³ΠΎΠ΄ΠΈΠ½Π°.

Од  1981 Π΄ΠΎ 2002 Π³ΠΎΠ΄ΠΈΠ½Π° остварил ΠΏΠ΅Ρ‚Π‘Π°ΠΌΠΎΡΡ‚ΠΎΡ˜Π½ΠΈ ΠΈΠ·Π»ΠΎΠΆΠ±ΠΈ Π²ΠΎ БкопјС-ΠšΡƒΠ»Ρ‚ΡƒΡ€Π½ΠΎ ΠΈΠ½Ρ„ΠΎΡ€ΠΌΠ°Ρ‚ΠΈΠ²Π΅Π½ Ρ†Π΅Π½Ρ‚Π°Ρ€ (Π¦Π΅Π½Ρ‚Π°Ρ€ Π·Π° ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π° ΠΈ ΠΈΠ½Ρ„ΠΎΡ€ΠΌΠ°Ρ†ΠΈΠΈ), Π΄Π²Π΅  Π²ΠΎ Π”ΠΎΠΌΠΎΡ‚ Π½Π° Π°Ρ€ΠΌΠΈΡ˜Π°Ρ‚Π° воБкопјС, ΠΏΠΎΡ‚ΠΎΠ° Π²ΠΎ Π’Ρ€Π°ΡšΠ΅ Π²ΠΎ Π˜Π·Π»ΠΎΠΆΠ±Π΅Π½ΠΈΠΎΡ‚  салон ΠΏΡ€ΠΈ Π”ΠΎΠΌΠΎΡ‚ Π½Π° Π°Ρ€ΠΌΠΈΡ˜Π°Ρ‚Π° ΠΈ Π²ΠΎ Π£ΠΌΠ΅Ρ‚Π½ΠΈΡ‡ΠΊΠ°Ρ‚Π° Π³Π°Π»Π΅Ρ€ΠΈΡ˜Π° Π²ΠΎ Π‘Ρ‚Ρ€ΡƒΠΌΠΈΡ†Π°.

Од 1984 Π΄ΠΎ 2002 Π³ΠΎΠ΄ΠΈΠ½Π° УчСствувал Π½Π° Π“Ρ€ΡƒΠΏΠ½ΠΈΡ‚Π΅ ΠΈΠ·Π»ΠΎΠΆΠ±ΠΈ Π½Π° Π‘ΠΎΠ²Ρ€Π΅ΠΌΠ΅Π½ макСдонски Π°ΠΊΠ²Π°Ρ€Π΅Π», Бликарство ΠΌΠ°Π» Ρ„ΠΎΡ€ΠΌΠ°Ρ‚ ΠΈ Π“ΠΎΠ΄ΠΈΡˆΠ½ΠΈΡ‚Π΅ ΠΈΠ·Π»ΠΎΠΆΠ±ΠΈ  Π½Π° Π”Π›Π£Πœ.

УчСсник Π΅ Π²ΠΎ Ρ€Π°Π±ΠΎΡ‚Π°Ρ‚Π° Π½Π° повСќС Π»ΠΎΠΊΠ°Π»Π½ΠΈ ΠΈ ΠΌΠ΅Ρ“ΡƒΠ½Π°Ρ€ΠΎΠ΄Π½ΠΈ Π»ΠΈΠΊΠΎΠ²Π½ΠΈ ΠΊΠΎΠ»ΠΎΠ½ΠΈΠΈ Π²ΠΎ зСмјава ΠΈ странство ( Π”ΠΎΡ˜Ρ€Π°Π½Π°- Π“Π΅Π²Π³Π΅Π»ΠΈΡ˜Π°, Π—Π°Π΅Π΄Π½ΠΎ-ΠœΠ°Π²Ρ€ΠΎΠ²ΠΎ, ΠšΠΈΡ‡Π΅Π²ΠΎ, Никола ΠœΠ°Ρ€ΠΈΠ½ΠΎΠ² - Π‘ΡƒΠ³Π°Ρ€ΠΈΡ˜Π°)


Π Π•ΠšΠžΠ...

Π’ΠΎ своитС староградски, скопски, ΠΊΡ€ΡƒΡˆΠ΅Π²ΡΠΊΠΈ ΠΈ Π΄Ρ€ΡƒΠ³ΠΈ ΠΌΠΎΡ‚ΠΈΠ²ΠΈ ΠΊΠΎΠΈ Π°Ρ€Ρ…ΠΈΡ‚Π΅ΠΊΡ‚ΠΎΡ‚ Π’ΠΎΠ΄ΠΎΡ€ ГСоргиСвски со Ρ™ΡƒΠ±ΠΎΠ² Π³ΠΈ слика, Π΅ΠΌΠΎΡ‚ΠΈΠ²Π½ΠΎ ΠΈ Π²Π΅Ρ€Π½ΠΎ, Ρ‚ΠΈΠ²ΠΊΠΎ ΠΈ ΠΏΠ»Π΅ΠΌΠ΅Π½ΠΈΡ‚ΠΎ, остварува Π·Π°ΠΏΠ°Π·Π΅Π½ΠΈ Π»ΠΈΠΊΠΎΠ²Π½ΠΈ врСдности. 

Π’Π΅ΡˆΡ‚ΠΎ ΠΊΠΎΠΌΠΏΠΎΠ½ΡƒΠ²Π°Π½, со архитСктонски цврст ΠΈ стСгнат Ρ†Ρ€Ρ‚Π΅ΠΆ, со слух Π·Π° колористична хармоничност, Ρ‚ΠΎΡ˜ успСал ΡƒΠ±Π΅Π΄Π»ΠΈΠ²ΠΎ Π΄Π° ΠΈΠΌ ја прСтстави  атмосвСрата Π½Π° Ρ‚ΠΈΠ΅ ΠΌΠΎΡ‚ΠΈΠ²ΠΈ.

Π—Π°Ρ‚ΠΎΠ°, ΠΏΠΎΠΊΡ€Π°Ρ˜ Π»ΠΈΠΊΠΎΠ²Π½ΠΎΡ‚ΠΎ, Ρ‚ΠΈΠ΅ ΠΈΠΌΠ°Π°Ρ‚ ΠΈ своС Π΄ΠΎΠΊΡƒΠΌΠ΅Π½Ρ‚Π°Ρ€Π½ΠΎ - фактографско Π·Π½Π°Ρ‡Π΅ΡšΠ΅.

 
ΠŸΡ€ΠΎΡ„. Π‰ΡƒΠ±ΠΎΠΌΠΈΡ€ БСлогаски



....... А ΠΊΠΎΠ³Π° ќС застанСмС ΠΏΡ€Π΅Π΄ Π½Π΅Π³ΠΎΠ²ΠΈΡ‚Π΅ слики, Π½Π΅ΠΌΠΈΠ½ΠΎΠ²Π½ΠΎ Ρ“Π΅ почуствувамС, ΠΊΠ°ΠΊΠΎ ΠΏΡ€Π΅Π΄ Π½Π°ΡˆΠΈΡ‚Π΅ ΠΎΡ‡ΠΈ растат Π±Ρ€Π°Π½ΠΎΠ²ΠΈΡ‚Π΅ Π½Π° Ρ€Π°Π·Π±Ρ€Π°Π½Π΅Ρ‚ΠΎΡ‚ΠΎ Π΅Π·Π΅Ρ€ΠΎ, ΠΊΠ°ΠΊΠΎ свСтлината Π³ΠΈ ΠΌΠΈΠ»ΡƒΠ²Π° Π²Ρ€Π²ΠΎΠ²ΠΈΡ‚Π΅ Π½Π° стСблата, ΠΊΠΎΠ»ΠΊΡƒ складни сС ΠΎΠ±Π»ΠΈΡ†ΠΈΡ‚Π΅ Π½Π° старата макСдонска Π°Ρ€Ρ…ΠΈΡ‚Π΅ΠΊΡ‚ΡƒΡ€Π°, ΠΊΠ°ΠΊΠ²Π° интимност ΠΏΡ€ΡƒΠΆΠ°Π»Π΅ старитС градски ΠΈ сСлски Π°ΠΌΠ±ΠΈΠ΅Π½Ρ‚ΠΈ. МоТСби Ρ‚ΠΎΠ³Π°Ρˆ ќС почуствувамС Π½ΠΎΡΡ‚Π°Π»Π³ΠΈΡ˜Π° ΠΏΠΎ Π±Π»Π°Π³ΠΎΡ€ΠΎΠ΄Π½ΠΈΡ‚Π΅, ΠΌΠΈΡ€Π½ΠΈ ΠΈ достоинствСни макСдонски пСјзаТи. МоТСби Ρ‚ΠΎΠ³Π°Ρˆ ќС посакамС ΠΈ Π΅Π΄Π½Π° Π²Π°Π·Π° со расцутСни Ρ‚Ρ€Π΅Π½Π΄Π°Ρ„ΠΈΠ»ΠΈ, Π·Π° Π΄Π° Π³ΠΎ освСТимС тСскобниот простор Π²ΠΎ кој ΠΆΠΈΠ²Π΅Π΅ΠΌΠ΅, создавајќи ΠΏΡ€ΠΈΠ²ΠΈΠ΄, Π΄Π΅ΠΊΠ° ΡΠ΅ΡƒΡˆΡ‚Π΅ Π΄Ρ€ΡƒΠ³Π°Ρ€ΡƒΠ²Π°ΠΌΠ΅ со ΡƒΠ±Π°Π²ΠΈΠ½ΠΈΡ‚Π΅ Π½Π° ΠΏΡ€ΠΈΡ€ΠΎΠ΄Π°Ρ‚Π°. ................

 
Π”-Ρ€ ΠšΠΎΡΡ‚Π° Π‘Π°Π»Π°Π±Π°Π½ΠΎΠ²
Π˜ΡΡ‚ΠΎΡ€ΠΈΡ‡Π°Ρ€ Π½Π° умСтноста

abvedit ΡƒΡ‚ΠΎΡ€Π°ΠΊ, 10. Π΄Π΅Ρ†Π΅ΠΌΠ±Π°Ρ€ 2019.
“ Π‘ΠΎΠ³Π°Ρ‚ Ρ‚Π°Ρ‚ΠΊΠΎ – Π‘ΠΈΡ€ΠΎΠΌΠ°ΡˆΠ΅Π½ Ρ‚Π°Ρ‚ΠΊΠΎ“ ΠΎΠ΄ амСриканскиот финансиски СкспСрт ΠΈ ΠΏΡ€Π΅Ρ‚ΠΏΡ€ΠΈΠ΅ΠΌΠ°Ρ‡ Π ΠΎΠ±Π΅Ρ€Ρ‚ Киосаки

На ΡˆΡ‚ΠΎ Π³ΠΈ ΡƒΡ‡Π°Ρ‚ своитС Π΄Π΅Ρ†Π° Π±ΠΎΠ³Π°Ρ‚ΠΈΡ‚Π΅ Π»ΡƒΡ“Π΅, Π·Π° Ρ€Π°Π·Π»ΠΈΠΊΠ° ΠΎΠ΄ ΡΠΈΡ€ΠΎΠΌΠ°ΡˆΠ½ΠΈΡ‚Π΅ ΠΊΠΎΠΈ Π½Π΅ Π³ΠΎ ΠΏΡ€Π°Π²Π°Ρ‚ Ρ‚ΠΎΠ°, Π΅ Ρ‚Π΅ΠΌΠ° Π½Π° бСстсСлСрот со наслов „Π‘ΠΎΠ³Π°Ρ‚ Ρ‚Π°Ρ‚ΠΊΠΎ – Π‘ΠΈΡ€ΠΎΠΌΠ°ΡˆΠ΅Π½ Ρ‚Π°Ρ‚ΠΊΠΎ“ ΠΎΠ΄ амСриканскиот финансиски СкспСрт ΠΈ ΠΏΡ€Π΅Ρ‚ΠΏΡ€ΠΈΠ΅ΠΌΠ°Ρ‡ Π ΠΎΠ±Π΅Ρ€Ρ‚ Киосаки, кој Ρ†Π΅Π»ΠΈΠΎΡ‚ ΠΆΠΈΠ²ΠΎΡ‚ Π³ΠΎ ΠΏΠΎΠΌΠΈΠ½Π°Π» Π²ΠΎ финансиско-Π΅Π΄ΡƒΠΊΠ°Ρ‚ΠΈΠ²Π½ΠΎ Ρ‚Π²ΠΎΡ€Π΅ΡˆΡ‚Π²ΠΎ.

НСговитС ΠΊΠ½ΠΈΠ³ΠΈ постигналС Π½Π΅Π²Π΅Ρ€ΠΎΡ˜Π°Ρ‚Π΅Π½ успСх ΠΈ сС Π½Π°Ρ˜ΠΏΡ€ΠΎΠ΄Π°Π²Π°Π½ΠΈ Π½Π° листитС Π½Π° „Волстрит ΠΆΡƒΡ€Π½Π°Π»“, „ΠŠΡƒΡ˜ΠΎΡ€ΠΊ Ρ‚Π°Ρ˜ΠΌΡ“ ΠΈ „ΠˆΡƒ-Сс-Сј Ρ‚ΡƒΠ΄Π΅Ρ˜“. АмСриканСцот со јапонско ΠΏΠΎΡ‚Π΅ΠΊΠ»ΠΎ Π½Π΅ сС Ρ€ΠΎΠ΄ΠΈΠ» Π²ΠΎ Π±ΠΎΠ³Π°Ρ‚ΠΎ ΡΠ΅ΠΌΠ΅Ρ˜ΡΡ‚Π²ΠΎ. НСговитС Ρ€ΠΎΠ΄ΠΈΡ‚Π΅Π»ΠΈ ΠΌΡƒ ΠΏΡ€ΠΈΠΏΠ°Ρ“Π°Π»Π΅ Π½Π° срСдниот сталСТ, ΠΏΠ° ΠΌΠΎΡ€Π°Π»Π΅ Π½Π°ΠΏΠΎΡ€Π½ΠΎ Π΄Π° Ρ€Π°Π±ΠΎΡ‚Π°Ρ‚ Π·Π° Π΄Π° ΠΈΠΌΠ°Π°Ρ‚ ΠΏΠ°Ρ€ΠΈ.


ΠœΠΎΠΌΠ΅Π½Ρ‚ΠΎΡ‚ ΠΊΠΎΠ³Π° „ΡΠΈΡ€ΠΎΠΌΠ°ΡˆΠ½ΠΈΠΎΡ‚“ Ρ‚Π°Ρ‚ΠΊΠΎ Π΄ΠΎΠ±ΠΈΠ» ΠΎΡ‚ΠΊΠ°Π· Π½Π° ΠΏΠΎΠΎΠ΄ΠΌΠΈΠ½Π°Ρ‚ΠΈ Π³ΠΎΠ΄ΠΈΠ½ΠΈ Π³ΠΎ Π½Π°Ρ‚Π΅Ρ€Π°Π» Π ΠΎΠ±Π΅Ρ€Ρ‚ ΠΈΠ½Ρ‚Π΅Π½Π·ΠΈΠ²Π½ΠΎ ΠΈ Π°ΠΊΡ‚ΠΈΠ²Π½ΠΎ Π΄Π° Π³ΠΈ Π°Π½Π°Π»ΠΈΠ·ΠΈΡ€Π° финансискитС аспСкти Π½Π° ΠΎΠΏΡˆΡ‚Π΅ΡΡ‚Π²ΠΎΡ‚ΠΎ, Π° своитС Π·Π°ΠΊΠ»ΡƒΡ‡ΠΎΡ†ΠΈ, ΠΊΠΎΠΈ Π³ΠΈ запишал Π²ΠΎ ΠΊΠ½ΠΈΠ³ΠΈΡ‚Π΅ ΡˆΡ‚ΠΎ Π³ΠΈ ΠΎΠ±Ρ˜Π°Π²ΡƒΠ²Π°, Π³ΠΎ освоилС свСтот. ΠšΠ½ΠΈΠ³Π°Ρ‚Π° „Π‘ΠΎΠ³Π°Ρ‚ Ρ‚Π°Ρ‚ΠΊΠΎ – Π‘ΠΈΡ€ΠΎΠΌΠ°ΡˆΠ΅Π½ Ρ‚Π°Ρ‚ΠΊΠΎ“ сС ΠΎΡ‚Π²ΠΎΡ€Π° со Ρ€Π°Π·Π³ΠΎΠ²ΠΎΡ€ ΠΌΠ΅Ρ“Ρƒ ΠΊΠΎΠ°Π²Ρ‚ΠΎΡ€ΠΊΠ°Ρ‚Π° Π¨Π΅Ρ€ΠΎΠ½ Π›Π΅Ρ…Ρ‚Π΅Ρ€ ΠΈ Π½Π΅Ρ˜Π·ΠΈΠ½ΠΈΠΎΡ‚ син, кој ја ΠΏΠΎΡ‚Ρ‚ΠΈΠΊΠ½Π°Π» Π΄Π° сС ΠΏΡ€Π°ΡˆΠ° Π΄Π°Π»ΠΈ ΡƒΡ‡ΠΈΠ»ΠΈΡˆΡ‚Π°Ρ‚Π° Π³ΠΈ ΠΏΠΎΠ΄Π³ΠΎΡ‚Π²ΡƒΠ²Π°Π°Ρ‚ Π΄Π΅Ρ†Π°Ρ‚Π° Π·Π° Ρ€Π΅Π°Π»Π½ΠΈΠΎΡ‚ свСт.

Π•Π²Π΅ Π³ΠΈ дСсСттС ΠΏΡ€Π°Π²ΠΈΠ»Π° Π½Π° Π ΠΎΠ±Π΅Ρ€Ρ‚ Киосаки ΠΊΠΎΠΈ сС Π²ΠΎΠ΄ΠΈΡ‡ ΠΊΠ°ΠΊΠΎ Π΄Π° сС стСкнат Π±ΠΎΠ³Π°Ρ‚ Π΄ΡƒΡ… ΠΈ ΠΏΠ°Ρ€ΠΈ:

ΠšΠ»ΡƒΡ‡ Π·Π° успСх Π΅ мрзливоста. ΠšΠΎΠ»ΠΊΡƒ повСќС стС Π²ΠΊΠ»ΡƒΡ‡Π΅Π½ΠΈ Π²ΠΎ ΠΎΠ½Π° ΡˆΡ‚ΠΎ Π³ΠΎ Ρ€Π°Π±ΠΎΡ‚ΠΈΡ‚Π΅, Ρ‚ΠΎΠ»ΠΊΡƒ ΠΏΠΎΠΌΠ°Π»ΠΊΡƒ срСдства ќС Π·Π°Ρ€Π°Π±ΠΎΡ‚ΠΈΡ‚Π΅.

Ако сакатС Π΄Π° Π±ΠΈΠ΄Π΅Ρ‚Π΅ Π±ΠΎΠ³Π°Ρ‚ΠΈ ΠΈ ΡΡ€Π΅ΡœΠ½ΠΈ, Π½Π΅ ΠΎΠ΄Π΅Ρ‚Π΅ Π½Π° ΡƒΡ‡ΠΈΠ»ΠΈΡˆΡ‚Π΅.

ΠΠ°Ρ˜Π΄Π΅Ρ‚Π΅ Ρ€Π°Π±ΠΎΡ‚Π° Π·Π° Π΄Π° Π½Π°ΡƒΡ‡ΠΈΡ‚Π΅ Π½Π΅ΡˆΡ‚ΠΎ, Π° Π½Π΅ Π·Π°Ρ€Π°Π΄ΠΈ Π·Π°Ρ€Π°Π±ΠΎΡ‚ΠΊΠ°.

НСма Π΄Π° сС Π·Π±ΠΎΠ³Π°Ρ‚ΠΈΡ‚Π΅ Π½Π° Ρ€Π°Π±ΠΎΡ‚Π°, Ρ‚ΡƒΠΊΡƒ Π΄ΠΎΠΌΠ°.

Ако Ρ€Π°Π±ΠΎΡ‚ΠΈΡ‚Π΅ Π·Π° ΠΏΠ°Ρ€ΠΈ, ΠΌΡƒ ја ΠΏΡ€Π΅Π΄Π°Π²Π°Ρ‚Π΅ ΡΠ²ΠΎΡ˜Π°Ρ‚Π° моќ Π½Π° Π²Π°ΡˆΠΈΠΎΡ‚ Ρ€Π°Π±ΠΎΡ‚ΠΎΠ΄Π°Π²Π΅Ρ†. Ако Π²Π°ΡˆΠΈΡ‚Π΅ ΠΏΠ°Ρ€ΠΈ Ρ€Π°Π±ΠΎΡ‚Π°Ρ‚ Π·Π° вас, ја Π·Π°Π΄Ρ€ΠΆΡƒΠ²Π°Ρ‚Π΅ ΠΌΠΎΡœΡ‚Π° ΠΈ ΠΌΠΎΠΆΠ΅Ρ‚Π΅ Π΄Π° ја ΠΊΠΎΠ½Ρ‚Ρ€ΠΎΠ»ΠΈΡ€Π°Ρ‚Π΅.

ΠΠ°Ρ˜Ρ‡Π΅ΡΡ‚ΠΎ Π½Π΅ Π½Π°ΠΏΡ€Π΅Π΄ΡƒΠ²Π°Π°Ρ‚ ΠΏΠ°ΠΌΠ΅Ρ‚Π½ΠΈΡ‚Π΅, Ρ‚ΡƒΠΊΡƒ Ρ…Ρ€Π°Π±Ρ€ΠΈΡ‚Π΅.

Π’Π°Π»Π΅Π½Ρ‚ΠΎΡ‚ Π½Π΅ Π΅ Π΄ΠΎΠ²ΠΎΠ»Π΅Π½, ΠΌΠΎΡ€Π° Π΄Π° Π½Π°ΡƒΡ‡ΠΈΡ‚Π΅ Π΄Π° сС ΠΏΡ€ΠΎΠ΄Π°Π²Π°Ρ‚Π΅.

ΠŸΠΎΡΡ‚ΠΎΡ˜Π°Π½ΠΎ ΠΏΡ€Π°ΡˆΡƒΠ²Π°Ρ˜Ρ‚Π΅ сС ΠΊΠ°Π΄Π΅ Π²Π΅ Π²ΠΎΠ΄ΠΈ Π²Π°ΡˆΠ°Ρ‚Π° сСкојднСвна активност.

Π‘Ρ‚Ρ€Π°Π²ΠΎΡ‚, Ρ†ΠΈΠ½ΠΈΠ·ΠΌΠΎΡ‚, Π»ΠΎΡˆΠΈΡ‚Π΅ Π½Π°Π²ΠΈΠΊΠΈ ΠΈ Π°Ρ€ΠΎΠ³Π°Π½Ρ†ΠΈΡ˜Π°Ρ‚Π° Π²ΠΎΠ΄Π°Ρ‚ ΠΊΠΎΠ½ нСуспСх.

ΠšΡ€ΠΈΡ‚ΠΈΡ†ΠΈΠ·ΠΌΠΎΡ‚ заслСпува, Π° Π°Π½Π°Π»ΠΈΠ·Π°Ρ‚Π° Π³ΠΈ ΠΎΡ‚Π²ΠΎΡ€Π° ΠΎΡ‡ΠΈΡ‚Π΅.

„Имав Π΄Π²Π°Ρ˜Ρ†Π° Ρ‚Π°Ρ‚ΠΊΠΎΠ²Ρ†ΠΈ, Π±ΠΎΠ³Π°Ρ‚ ΠΈ ΡΠΈΡ€ΠΎΠΌΠ°ΡˆΠ΅Π½, Π΅Π΄Π½ΠΈΠΎΡ‚ бСшС Π²Ρ€Π²Π½ΠΎ ΠΎΠ±Ρ€Π°Π·ΠΎΠ²Π°Π½ ΠΈ ΠΈΠ½Ρ‚Π΅Π»ΠΈΠ³Π΅Π½Ρ‚Π΅Π½, Π° Π΄Ρ€ΡƒΠ³ΠΈΠΎΡ‚ нСмашС осмо ΠΎΠ΄Π΄Π΅Π»Π΅Π½ΠΈΠ΅. И Π΄Π²Π°Ρ˜Ρ†Π°Ρ‚Π° Π±Π΅Π° ΡƒΡΠΏΠ΅ΡˆΠ½ΠΈ, Ρ†Π΅Π»ΠΈΠΎΡ‚ ΠΆΠΈΠ²ΠΎΡ‚ Π²Ρ€Π΅Π΄Π½ΠΎ Ρ€Π°Π±ΠΎΡ‚Π΅Π° ΠΈ ΠΌΠ½ΠΎΠ³Ρƒ Π·Π°Ρ€Π°Π±ΠΎΡ‚ΠΈΡ˜Π°. Но, Π΅Π΄Π½ΠΈΠΎΡ‚ ΠΎΠ΄ Π½ΠΈΠ² сСкогаш имашС финансиски ΠΏΡ€ΠΎΠ±Π»Π΅ΠΌΠΈ, Π° Π΄Ρ€ΡƒΠ³ΠΈΠΎΡ‚ стана Π΅Π΄Π΅Π½ ΠΎΠ΄ Π½Π°Ρ˜Π±ΠΎΠ³Π°Ρ‚ΠΈΡ‚Π΅ Π»ΡƒΡ“Π΅ Π½Π° Π₯Π°Π²Π°ΠΈΡ‚Π΅. Π•Π΄Π½ΠΈΠΎΡ‚ ΠΏΠΎΡ‡ΠΈΠ½Π° ΠΎΡΡ‚Π°Π²Π°Ρ˜ΡœΠΈ дСсСтици ΠΌΠΈΠ»ΠΈΠΎΠ½ΠΈ Π΄ΠΎΠ»Π°Ρ€ΠΈ, Π΄Ρ€ΡƒΠ³ΠΈΠΎΡ‚ Π·Π°Π΄ сСбС остави Π½Π΅ΠΏΠ»Π°Ρ‚Π΅Π½ΠΈ смСтки. И Π΄Π²Π°Ρ˜Ρ†Π°Ρ‚Π° Π±Π΅Π° силни, Ρ…Π°Ρ€ΠΈΠ·ΠΌΠ°Ρ‚ΠΈΡ‡Π½ΠΈ ΠΈ Π²Π»ΠΈΡ˜Π°Ρ‚Π΅Π»Π½ΠΈ, ΠΈ Π΄Π²Π°Ρ˜Ρ†Π°Ρ‚Π° ΠΌΠ΅ совСтуваа. Но Π½ΠΈΠ²Π½ΠΈΡ‚Π΅ совСти Π½Π΅ Π±Π΅Π° исти. Π‘ΠΈΠ»Π½ΠΎ Π²Π΅Ρ€ΡƒΠ²Π°Π° Π²ΠΎ ΠΎΠ±Ρ€Π°Π·ΠΎΠ²Π°Π½ΠΈΠ΅Ρ‚ΠΎ, Π½ΠΎ Π½Π΅ ΠΌΠΈ ΠΏΡ€Π΅ΠΏΠΎΡ€Π°Ρ‡Π°Π° ист Ρ‚Π΅ΠΊ Π½Π° ΡˆΠΊΠΎΠ»ΡƒΠ²Π°ΡšΠ΅Ρ‚ΠΎ.“

„Π”Π° ΠΈΠΌΠ°Π² само Π΅Π΄Π΅Π½ Ρ‚Π°Ρ‚ΠΊΠΎ, ќС ΠΌΠΎΡ€Π°Π² Π΄Π° Π³ΠΈ ΠΏΡ€ΠΈΡ„Π°Ρ‚Π°ΠΌ ΠΈΠ»ΠΈ ΠΎΡ‚Ρ„Ρ€Π»Π°ΠΌ Π½Π΅Π³ΠΎΠ²ΠΈΡ‚Π΅ совСти. Π’ΠΎΠ° ΡˆΡ‚ΠΎ ΠΈΠΌΠ°Π² Π΄Π²Π°Ρ˜Ρ†Π° Ρ‚Π°Ρ‚ΠΊΠΎΠ²Ρ†ΠΈ ΠΊΠΎΠΈ ΠΌΠ΅ совСтуваа, ΠΌΠΈ ΠΏΠΎΠ½ΡƒΠ΄ΠΈ ΠΈΠ·Π±ΠΎΡ€ ΠΌΠ΅Ρ“Ρƒ Π΄Π²Π΅ Ρ€Π°Π·Π»ΠΈΡ‡Π½ΠΈ Π³Π»Π΅Π΄ΠΈΡˆΡ‚Π°: Π³Π»Π΅Π΄ΠΈΡˆΡ‚Π΅Ρ‚ΠΎ Π½Π° Π±ΠΎΠ³Π°Ρ‚ΠΈΠΎΡ‚ ΠΈ Π³Π»Π΅Π΄ΠΈΡˆΡ‚Π΅Ρ‚ΠΎ Π½Π° сиромавиот Ρ‚Π°Ρ‚ΠΊΠΎ. НамСсто Сдноставно Π΄Π° Π³ΠΈ ΠΏΡ€ΠΈΡ„Π°Ρ‚Π°ΠΌ ΠΈΠ»ΠΈ ΠΎΡ‚Ρ„Ρ€Π»Π°ΠΌ Π΅Π΄Π½ΠΈΡ‚Π΅ ΠΈΠ»ΠΈ Π΄Ρ€ΡƒΠ³ΠΈΡ‚Π΅ совСти, јас размислував, Π³ΠΈ спорСдував, Π° ΠΏΠΎΡ‚ΠΎΠ° самиот ΠΎΠ΄Π»ΡƒΡ‡ΠΈΠ²“, ΠΎΡ‚ΠΊΡ€ΠΈΠ²Π° Киосаки, Ρ‡ΠΈΡ˜Π° ΠΏΡ€ΠΈΠΊΠ°Π·Π½Π° Π·Π° ΡΠΈΡ€ΠΎΠΌΠ°ΡˆΠ½ΠΈΠΎΡ‚ Ρ‚Π°Ρ‚ΠΊΠΎ сС однСсува Π½Π° Π½Π΅Π³ΠΎΠ²ΠΈΠΎΡ‚ биолошки Ρ‚Π°Ρ‚ΠΊΠΎ, Π° оној Π±ΠΎΠ³Π°Ρ‚ΠΈΠΎΡ‚ Π΅ Ρ‚Π°Ρ‚ΠΊΠΎΡ‚ΠΎ Π½Π° Π½Π΅Π³ΠΎΠ²ΠΈΠΎΡ‚ најблизок ΠΏΡ€ΠΈΡ˜Π°Ρ‚Π΅Π».

Π ΠΎΠ±Π΅Ρ€Ρ‚ Киосаки Π½Π΅ наслСдил Скономско царство ΠΎΠ΄ ΡΠ²ΠΎΡ˜ΠΎΡ‚ Ρ‚Π°Ρ‚ΠΊΠΎ, Ρ‚ΡƒΠΊΡƒ самиот Π³ΠΎ создал. Вој основал ΡƒΡ‡ΠΈΠ»ΠΈΡˆΡ‚Π΅ Π·Π° финансии ΠΊΠΎΠ³Π° ΠΎΡ‚ΠΊΡ€ΠΈΠ» Π΄Π΅ΠΊΠ° ΡƒΠΆΠΈΠ²Π° Π²ΠΎ ΠΏΠΎΠ΄ΡƒΡ‡ΡƒΠ²Π°ΡšΠ΅Ρ‚ΠΎ, ΠΏΠ° сС Π²ΠΏΡƒΡˆΡ‚ΠΈΠ» Π²ΠΎ Π΅Π΄ΡƒΠΊΠ°Ρ‚ΠΈΠ²Π½ΠΈΡ‚Π΅ Π²ΠΎΠ΄ΠΈ. ΠŸΡ€Π΅Π΄ ΡΠ²ΠΎΡ˜ΠΎΡ‚ 50. Ρ€ΠΎΠ΄Π΅Π½Π΄Π΅Π½ Π³ΠΎ ΠΏΡ€ΠΎΠ΄Π°Π» Π΅Π΄ΡƒΠΊΠ°Ρ‚ΠΈΠ²Π½ΠΈΠΎΡ‚ Ρ†Π΅Π½Ρ‚Π°Ρ€, Π·Π°ΠΌΠΈΠ½Π°Π» Π²ΠΎ пСнзија ΠΈ ΠΏΡ€Π΅ΠΌΠΈΠ½Π°Π» Π²ΠΎ бизниси со Π²Π»ΠΎΠΆΡƒΠ²Π°ΡšΠ°, Π½Π°Ρ„Ρ‚Π° ΠΈ Π·Π»Π°Ρ‚ΠΎ, ΠΏΠ° ја основал „ΠšΠ΅ΡˆΡ„Π»ΠΎΡƒ Ρ‚Π΅Ρ…Π½ΠΎΠ»ΠΎΡŸΠΈΡ“, компанија која сС Π·Π°Π½ΠΈΠΌΠ°Π²Π° со издавањС ΡΠΏΠ΅Ρ†ΠΈΡ˜Π°Π»ΠΈΠ·ΠΈΡ€Π°Π½ΠΈ ΠΊΠ½ΠΈΠ³ΠΈ.

Π‘Π²ΠΎΠ΅Ρ‚ΠΎ богатство Киосаки Π½Π΅ Π³ΠΎ постигнал Π²Ρ€Π· ΠΏΡ€ΠΈΠ½Ρ†ΠΈΠΏΠΈΡ‚Π΅ Π½Π° „сиромавиот Ρ‚Π°Ρ‚ΠΊΠΎ“, односно спорСд ΠΌΠΎΠ΄Π΅Π»ΠΎΡ‚ кој ΠΏΠΎΡ€Π°Π½ΠΎ сС смСтал Π·Π° СдинствСно исправСн.

ΠšΠ»Π°ΡΠΈΡ‡Π½ΠΈΠΎΡ‚ ΠΏΠ°Ρ‚ Π½Π° ΠΎΠΏΡˆΡ‚ΠΎ ΠΎΠ±Ρ€Π°Π·ΠΎΠ²Π°Π½ΠΈΠ΅, Ρ€Π°Π±ΠΎΡ‚Π° Π²ΠΎ Π΄Ρ€ΠΆΠ°Π²Π½Π° слуТба, ΠΏΠΎΡ‚ΠΏΠΈΡ€Π°Ρ˜ΡœΠΈ сС Π½Π° сигурното Ρ€Π°Π±ΠΎΡ‚Π½ΠΎ мСсто „Π΄ΠΎ пСнзија“ со Π·Π±ΠΎΡ€ΠΎΠ²ΠΈΡ‚Π΅ „ΠΌΠΎΠ»Ρ‡ΠΈ ΠΈ Ρ€Π°Π±ΠΎΡ‚ΠΈ“, спорСд Π½Π΅Π³ΠΎ, Π½Π΅ Π΅ ΡƒΡΠΏΠ΅ΡˆΠ΅Π½ ΠΌΠΎΠ΄Π΅Π» Π²ΠΎ ΠΌΠΎΠ΄Π΅Ρ€Π½ΠΎΡ‚ΠΎ Π²Ρ€Π΅ΠΌΠ΅.

Π‘ΠΎΠ³Π°Ρ‚ΠΈΠΎΡ‚ Ρ‚Π°Ρ‚ΠΊΠΎ Π³ΠΈ ΡƒΡ‡ΠΈ Π΄Π΅Ρ†Π°Ρ‚Π° Π΄Π΅ΠΊΠ° сами Ρ‚Ρ€Π΅Π±Π° Π΄Π° Π³ΠΎ ΠΏΡ€ΠΎΠ½Π°Ρ˜Π΄Π°Ρ‚ ΡΠ²ΠΎΡ˜ΠΎΡ‚ ΠΏΠ°Ρ‚ ΠΌΠ΅Ρ“Ρƒ Π°Π²Ρ‚ΠΎΡ€ΠΈΡ‚Π΅Ρ‚ΠΈΡ‚Π΅ ΠΈ Π΄Π΅ΠΊΠ° ΠΌΠΎΡ€Π° Π΄Π° Ρ‚Ρ€Π³Π½Π°Ρ‚ Π²ΠΎ ΠΏΡ€Π°Π²Π΅Ρ†ΠΎΡ‚ кој Π³ΠΎ смСтаат Π·Π° ΠΏΡ€Π°Π²ΠΈΠ»Π΅Π½. Π—Π° Π΄Π° Π³ΠΎ постигнат Ρ‚ΠΎΠ°, Π΄Π΅Ρ†Π°Ρ‚Π° ΠΌΠΎΡ€Π° Π΄Π° размислуваат Π·Π° своитС ΠΊΠ²Π°Π»ΠΈΡ‚Π΅Ρ‚ΠΈ, Π΄Π° ΠΎΡ‚ΠΊΡ€ΠΈΡ˜Π°Ρ‚ ΡˆΡ‚ΠΎ ΠΈΠΌ „Π»Π΅ΠΆΠΈ“ Π½Π°Ρ˜Π΄ΠΎΠ±Ρ€ΠΎ ΠΈ Π΄Π° Π½Π΅ Ρ‚Ρ€ΡƒΠΏΠ°Π°Ρ‚ само знаСњС, Ρ‚ΡƒΠΊΡƒ ΠΈ снаодливост, ΠΊΠ°ΠΊΠΎ ΠΈ Ρ€Π°Π·Π±ΠΈΡ€Π°ΡšΠ΅ Π½Π° Π½Π°Ρ‡ΠΈΠ½ΠΎΡ‚ Π½Π° кој Ρ„ΡƒΠ½ΠΊΡ†ΠΈΠΎΠ½ΠΈΡ€Π° свСтот дСнСс. Π‘ΠΎΠ³Π°Ρ‚ΠΈΠΎΡ‚ Ρ‚Π°Ρ‚ΠΊΠΎ Π±ΠΈ Π³ΠΎ совСтувал Π΄Π΅Ρ‚Π΅Ρ‚ΠΎ Π΄Π΅ΠΊΠ° ΠΏΡ€Π²ΠΎ Ρ‚Ρ€Π΅Π±Π° Π΄Π° Π³ΠΎ ΠΈΠ·Π³Ρ€Π°Π΄ΠΈ бизнисот, Π° ΠΏΠΎΡ‚ΠΎΠ° Π΄Π° Π³ΠΎ ΠΏΡ€ΠΎΡˆΠΈΡ€ΡƒΠ²Π°. Π”Π΅Ρ‚Π΅Ρ‚ΠΎ Ρ‚Ρ€Π΅Π±Π° Π΄Π° постигнС ΠΏΠ°Ρ€ΠΈΡ‚Π΅ Π΄Π° Ρ€Π°Π±ΠΎΡ‚Π°Ρ‚ Π·Π° Π½Π΅Π³ΠΎ, Π° Π½Π΅ ΠΎΠ±Ρ€Π°Ρ‚Π½ΠΎ.

abvedit срСда, 4. Π΄Π΅Ρ†Π΅ΠΌΠ±Π°Ρ€ 2019.
ΠœΠ°Ρ€ΠΈΠ½Π° Мијаковска Π½Π°Π³Ρ€Π°Π΄Π΅Π½Π° со „Π”Π°Π½ΠΈΡ†Π° Π ΡƒΡ‡ΠΈΠ³Π°Ρ˜“: БСкогаш ΠΊΠΎΠ³Π° Π½Γ¨ ΠΊΡ€ΡˆΠ°Ρ‚ Ρ‚Ρ€Π΅Π±Π° Π΄Π° Π±ΠΈΠ΄Π΅ΠΌΠ΅ цврсти ΠΊΠ°ΠΊΠΎ коската

„ΠšΠ»ΡƒΡ‡Π½Π° инспиративна Ρ„ΠΈΠ³ΡƒΡ€Π° ΠΌΠΈ Π΅ Π²Π΅Π»ΠΈΠΊΠ°Π½ΠΎΡ‚ Π½Π° макСдонската книТСвност, Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΠΊ АнтС Поповски, ΠΏΠ° Π·Π°Ρ‚ΠΎΠ° интСртСкстуално сС ΠΏΠΎΠ²ΠΈΠΊΡƒΠ²Π°ΠΌ Π½Π° Π½Π΅Π³ΠΎΠ²Π°Ρ‚Π° поСзија ΠΊΠ°ΠΊΠΎ Ρ™ΡƒΠ±ΠΎΠ² ΠΊΠΎΠ½ МакСдонија, ΠΌΠ΅Ρ“ΡƒΡ‚ΠΎΠ° Π½ΠΈΠ· Π΅Π΄Π΅Π½ ТСнски пристап, Π½ΠΈΠ· своја ТСнска пСрспСктива“, изјави поСтСсата ΠœΠ°Ρ€ΠΈΠ½Π° Мијаковска, која ја Π΄ΠΎΠ±ΠΈ ΠΏΠ»Π°ΠΊΠ΅Ρ‚Π°Ρ‚Π° „Π”Π°Π½ΠΈΡ†Π° Π ΡƒΡ‡ΠΈΠ³Π°Ρ˜“ Π·Π° стихозбирката „КоскСна“. Наградата Π΅ Π΄ΠΎΠ΄Π΅Π»Π΅Π½Π° Π²ΠΎ Ρ€Π°ΠΌΠΊΠΈ Π½Π° ΠΊΠ½ΠΈΠΆΠ΅Π²Π½ΠΈΠΎΡ‚ настан Π²ΠΎ Π”ΠŸΠœ посвСтСн Π½Π° Ρ‚Π²ΠΎΡ€Π΅ΡˆΡ‚Π²ΠΎΡ‚ΠΎ Π½Π° макСдонскитС ΠΆΠ΅Π½ΠΈ-писатСлки
„Π‘Ρ‚ΠΈΡ…ΠΎΠ·Π±ΠΈΡ€ΠΊΠ°Ρ‚Π° ’КоскСна’ Π²ΠΎ сСбС ја носи Ρ™ΡƒΠ±ΠΎΠ²Ρ‚Π° ΠΊΠΎΠ½ МакСдонија ΠΈ макСдонската ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π°. ΠšΠ»ΡƒΡ‡Π½Π° инспиративна Ρ„ΠΈΠ³ΡƒΡ€Π° ΠΌΠΈ Π΅ Π²Π΅Π»ΠΈΠΊΠ°Π½ΠΎΡ‚ Π½Π° макСдонската книТСвност, Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΠΊ АнтС Поповски, ΠΏΠ° Π·Π°Ρ‚ΠΎΠ° интСртСкстуално сС ΠΏΠΎΠ²ΠΈΠΊΡƒΠ²Π°ΠΌ Π½Π° Π½Π΅Π³ΠΎΠ²Π°Ρ‚Π° поСзија ΠΊΠ°ΠΊΠΎ Ρ™ΡƒΠ±ΠΎΠ² ΠΊΠΎΠ½ МакСдонија, ΠΌΠ΅Ρ“ΡƒΡ‚ΠΎΠ° Π½ΠΈΠ· Π΅Π΄Π΅Π½ ТСнски пристап, Π½ΠΈΠ· своја ТСнска пСрспСктива. Π˜Π΄Π΅Ρ˜Π°Ρ‚Π° Π½Π° ‘КоскСна’ Π΅ Π΄Π΅ΠΊΠ° сСкогаш ΠΊΠΎΠ³Π° Π½Γ¨ ΠΊΡ€ΡˆΠ°Ρ‚ ΠΈ Π³ΠΎ ΠΊΡ€ΡˆΠ°Ρ‚ Π½Π°ΡˆΠΈΠΎΡ‚ ΠΈΠ΄Π΅Π½Ρ‚ΠΈΡ‚Π΅Ρ‚ Ρ‚Ρ€Π΅Π±Π° Π΄Π° Π±ΠΈΠ΄Π΅ΠΌΠ΅ цврсти ΠΊΠ°ΠΊΠΎ коската“, изјави поСтСсата ΠœΠ°Ρ€ΠΈΠ½Π° Мијаковска, Π½Π° која Π²ΠΎ Π”Ρ€ΡƒΡˆΡ‚Π²ΠΎΡ‚ΠΎ Π½Π° писатСлитС Π½Π° МакСдонија ѝ бСшС Π²Ρ€Π°Ρ‡Π΅Π½Π° Π½Π°Π³Ρ€Π°Π΄Π°Ρ‚Π° „Π”Π°Π½ΠΈΡ†Π° Π ΡƒΡ‡ΠΈΠ³Π°Ρ˜“ Π·Π° 2019 Π³ΠΎΠ΄ΠΈΠ½Π°. Π’Π°Π° посочи Π΄Π΅ΠΊΠ° ѝ Π΅ особСно Π΄Ρ€Π°Π³ΠΎ ΡˆΡ‚ΠΎ Π½Π΅Ρ˜Π·ΠΈΠ½Π°Ρ‚Π° стихозбирка „КоскСна“, Π²ΠΎ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ Π½Π° „Π”ΠΈΡ˜Π°Π»ΠΎΠ³“ ΠΎΠ΄ БкопјС, ја Π΄ΠΎΠ±ΠΈΠ²Π° ΠΎΠ²Π°Π° Π½Π°Π³Ρ€Π°Π΄Π° востановСна ΠΎΠ΄ Π”ΠŸΠœ. „Оваа ΠΊΠ½ΠΈΠ³Π° ја Ρ€Π°Π±ΠΎΡ‚Π΅Π² со ΠΌΠ½ΠΎΠ³Ρƒ Π³ΠΎΠ»Π΅ΠΌΠ° Ρ™ΡƒΠ±ΠΎΠ² ΠΈ смСтам Π΄Π΅ΠΊΠ° создавам ТСнско писмо ΠΊΠΎΠ΅ навистина остава ΠΊΠ½ΠΈΠΆΠ΅Π²Π½ΠΈ Ρ‚Ρ€Π°Π³ΠΈ. Π”Ρ€Π°Π³ΠΎ ΠΌΠΈ Π΅ ΡˆΡ‚ΠΎ ΠΎΠ²Π°Π° Π½Π°Π³Ρ€Π°Π΄Π° сС Π΄ΠΎΠ΄Π΅Π»ΡƒΠ²Π° Π½Π° ΠΆΠ΅Π½Π° Π°Π²Ρ‚ΠΎΡ€ΠΊΠ° ΠΈ Π΅ Π²ΠΎΠ΅Π΄Π½ΠΎ Π½Π°Π³Ρ€Π°Π΄Π° Π·Π° ТСнско поСтско писмо“, Ρ€Π΅Ρ‡Π΅ Мијаковска, Π½Π° која ΠΎΠ²Π° ѝ Π΅ ΠΏΠ΅Ρ‚Ρ‚Π° стихозбирка, Π° досСга Π³ΠΈ ΠΈΠΌΠ° Π΄ΠΎΠ±ΠΈΠ΅Π½ΠΎ ΠΈ ΠšΠ°Ρ€Π°ΠΌΠ°Π½ΠΎΠ²Π°Ρ‚Π° Π½Π°Π³Ρ€Π°Π΄Π°, „Π‘Π΅Π»ΠΈ ΠΌΡƒΠ³Ρ€ΠΈ“ ΠΈ МакСдонска ΠΊΠ½ΠΈΠΆΠ΅Π²Π½Π° Π°Π²Π°Π½Π³Π°Ρ€Π΄Π°. „Иако ΠΏΠΈΡˆΡƒΠ²Π°ΠΌ ΠΈ Π΄Ρ€ΡƒΠ³ΠΈ ΠΆΠ°Π½Ρ€ΠΎΠ²ΠΈ (ΠΏΡ€ΠΎΠ·Π° ΠΈ Π½Π°ΡƒΡ‡Π½ΠΈ Ρ‚Ρ€ΡƒΠ΄ΠΎΠ²ΠΈ) Ρ™ΡƒΠ±ΠΎΠ²Ρ‚Π° ΠΊΠΎΠ½ ΠΏΠΎΠ΅Π·ΠΈΡ˜Π°Ρ‚Π° ΠΌΠΈ Π΅ ΠΏΡ€Π²Π° Ρ™ΡƒΠ±ΠΎΠ² ΠΈ Π·Π°Ρ‚ΠΎΠ° ΠΌΠΈ Π·Π½Π°Ρ‡Π°Ρ‚ поСтскитС Π½Π°Π³Ρ€Π°Π΄ΠΈ. ΠŸΠΎΠ΅Π·ΠΈΡ˜Π°Ρ‚Π° Π΅ Π½Π΅ΡˆΡ‚ΠΎ ΡˆΡ‚ΠΎ Π΄Π»Π°Π±ΠΎΠΊΠΎ Π³ΠΎ носимС Π²ΠΎ Π½Π°ΡˆΠΈΠΎΡ‚ Π΅Π³ΠΎ простор ΠΈ Π²ΠΎ Π½Π°ΡˆΠ°Ρ‚Π° Π΄ΡƒΡˆΠ°…“, Π΄ΠΎΠ΄Π°Π΄Π΅ Мијаковска која Π΅ ΠΈ Π΄ΠΎΠΊΡ‚ΠΎΡ€ ΠΏΠΎ Ρ„ΠΈΠ»ΠΎΠ»ΠΎΡˆΠΊΠΈ Π½Π°ΡƒΠΊΠΈ.
Π‘Π²Π΅Ρ‡Π΅Π½ΠΎΡ‚ΠΎ Π²Ρ€Π°Ρ‡ΡƒΠ²Π°ΡšΠ΅ Π½Π° ΠΏΠ»Π°ΠΊΠ΅Ρ‚Π°Ρ‚Π° „Π”Π°Π½ΠΈΡ†Π° Π ΡƒΡ‡ΠΈΠ³Π°Ρ˜“ сС случи Π²ΠΎ Ρ€Π°ΠΌΠΊΠΈ Π½Π° ΠΊΠ½ΠΈΠΆΠ΅Π²Π½ΠΈΠΎΡ‚ настан Π²ΠΎ Π”ΠŸΠœ, посвСтСн Π½Π° Ρ‚Π²ΠΎΡ€Π΅ΡˆΡ‚Π²ΠΎΡ‚ΠΎ Π½Π° макСдонскитС ΠΆΠ΅Π½ΠΈ писатСлки „МакСдонско ТСнско писмо: ΠΎΡ‚Π²ΠΎΡ€Π΅Π½ΠΈ ΠΏΡ€Π°ΡˆΠ°ΡšΠ°“ ΠΊΠ°Π΄Π΅ ΡˆΡ‚ΠΎ Π½Π° ΠΎΡ‚Π²ΠΎΡ€Π΅Π½Π° Ρ‚Ρ€ΠΈΠ±ΠΈΠ½Π° Π·Π±ΠΎΡ€ΡƒΠ²Π°Π° профСсоритС ΠΎΠ΄ Π€ΠΈΠ»ΠΎΠ»ΠΎΡˆΠΊΠΈΠΎΡ‚ Ρ„Π°ΠΊΡƒΠ»Ρ‚Π΅Ρ‚ ВСсна Мојсова-ЧСпишСвска ΠΈ Π”ΠΈΠΌΠΈΡ‚Π°Ρ€ ПандСв.

„Π‘Π°ΠΊΠ°ΠΌ Π΄Π° сС осврнам Π½Π° ТСнскиот поСтски стимул Π²ΠΎ макСдонскиот 19 Π²Π΅ΠΊ, имајќи ΠΏΡ€Π΅Π΄Π²ΠΈΠ΄ Π΄Π²Π΅ основни соврСмСни лингвистички Ρ‚Π΅ΠΎΡ€ΠΈΠΈ, Ρ‚Π΅ΠΎΡ€ΠΈΡ˜Π°Ρ‚Π° Π½Π° стимул-Ρ€Π΅ΠΏΠ»ΠΈΠΊΠ° која Π²ΠΎ Π½Π°ΡˆΠ°Ρ‚Π° срСдина ја ΠΏΡ€ΠΎΠΌΠΎΠ²ΠΈΡ€Π° Π‘Π»Π°ΠΆΠ΅ КонСски, ΠΈ Ρ‚Π΅ΠΎΡ€ΠΈΡ˜Π°Ρ‚Π° Π·Π° Ρ€Π°ΡΡ‡Π»Π΅Π½ΡƒΠ²Π°ΡšΠ΅ Π½Π° комуникацискиот ΠΊΠ°Π½Π°Π», особСно Π½Π° ΠΈΡΠΏΡ€Π°ΡœΠ°Ρ‡ΠΎΡ‚ Π½Π° ΠΏΠΎΡ€Π°ΠΊΠ°Ρ‚Π° ΡˆΡ‚ΠΎ Π΅ особСно ΠΏΠΎΠΏΡƒΠ»Π°Ρ€Π½Π° Π²ΠΎ ΠΌΠ°Ρ€ΠΊΠ΅Ρ‚ΠΈΠ½Π³ΠΎΡ‚. Имајќи Π³ΠΈ ΠΏΡ€Π΅Π΄Π²ΠΈΠ΄ ΠΎΠ²ΠΈΠ΅ Ρ‚Π΅ΠΎΡ€ΠΈΠΈ јас ΠΈΠΌ сС Π½Π°Π²Ρ€Π°ΡœΠ°ΠΌ Π½Π° Π½Π°ΡˆΠΈΡ‚Π΅ ΠΏΡ€Π²ΠΈ, условно ΠΊΠ°ΠΆΠ°Π½ΠΎ, поСтСси ΠΊΠΎΠΈ сè ΡƒΡˆΡ‚Π΅ Π³ΠΎ Π±Π°Ρ€Π°Π°Ρ‚ ΡΠ²ΠΎΡ˜ΠΎΡ‚ статус Π²ΠΎ Π»ΠΈΡ‚Π΅Ρ€Π°Ρ‚ΡƒΡ€Π°Ρ‚Π°, Π° Ρ‚ΠΎΠ° сС ΡœΠ΅Ρ€ΠΊΠ°Ρ‚Π° Π½Π° Π³ΠΎΡ‚Π²Π°Ρ‡ΠΎΡ‚ Π²ΠΎ ΠΊΡƒΡ˜Π½Π°Ρ‚Π° Π½Π° Π²Π»Π°Π΄ΠΈΠΊΠ°Ρ‚Π° Калиник Арса Π‘Ρ‚Ρ€Π΅Π·ΠΎΠ²Π° ΠΎΠ΄ која сС испСани Π³ΠΎΠ»Π΅ΠΌ Π±Ρ€ΠΎΡ˜ пСсни Π·Π° ΠΊΠΎΠΈΡˆΡ‚ΠΎ ΠΌΠΎΠΆΠ΅ Π΄Π° сС ΡƒΡ‚Π²Ρ€Π΄ΠΈ Π΄Π΅ΠΊΠ° Π²ΠΎ Π½ΠΈΠ² ΠΈΠΌΠ° авторски ΠΈΠ½Ρ‚Π΅Ρ€Π²Π΅Π½Ρ†ΠΈΠΈ (бидСјќи со ΠΊΠΎΠΌΠΏΠ°Ρ€Π°Ρ‚ΠΈΠ²Π΅Π½ пристап Π½ΠΈΠ² Π½Π΅ ΠΌΠΎΠΆΠ΅ΠΌΠ΅ Π΄Π° Π³ΠΈ најдСмС Π²ΠΎ Π΄Ρ€ΡƒΠ³ΠΈ Π»ΠΈΡ‚Π΅Ρ€Π°Ρ‚ΡƒΡ€ΠΈ), ΠΏΠΎΡ‚ΠΎΠ° Π”Π°Ρ„ΠΈΠ½Π° ΠΎΠ΄ ΠŸΡ€ΠΎΡΠ΅Π½ΠΈΠΊ Π½Π° која особСно Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ѝ посвСтил Π‘Ρ‚Π΅Ρ„Π°Π½ Π’Π΅Ρ€ΠΊΠΎΠ²ΠΈΡœ, Π΄Π° Π³ΠΈ ΠΈΠΌΠ°ΠΌΠ΅ ΠΏΡ€Π΅Π΄Π²ΠΈΠ΄ ΠœΠΈΠ»Π°Π΄ΠΈΠ½ΠΎΠ²ΠΊΠΈΡ‚Π΅ ΠΈ сСкако Π”ΡƒΠ½Π°Π²Π° ВортСска, Π±Π°Π±Π°Ρ‚Π° која ΠΌΡƒ ΠΏΠ΅Π΅Π»Π° пСсни Π½Π° Васил Икономов. Π’ΡΡƒΡˆΠ½ΠΎΡΡ‚ ΠΎΠ΄ ΠΎΠ²ΠΈΠ΅ дСвојки, мајки, ΠΆΠ΅Π½ΠΈ, Π±Π°Π±ΠΈ Π³ΠΎ ΠΈΠΌΠ°ΠΌΠ΅ оној поСтски стимул ΡˆΡ‚ΠΎ отпослС Π³ΠΎ ΠΈΠ·Π΄ΠΈΠ³Π½Π°Π» макСдонскиот јазик Π½Π° Ρ€Π°ΠΌΠ½ΠΈΡˆΡ‚Π΅ Π½Π° Π»ΠΈΡ‚Π΅Ρ€Π°Ρ‚ΡƒΡ€Π΅Π½“, истакна профСсорот ПандСв кој Π³ΠΈ истраТувал ΠΏΡ€Π²ΠΈΡ‚Π΅ раскаТувачки ΠΈ ΠΏΠ΅Ρ˜Π°Ρ‡ΠΊΠΈ, ΠΊΠΎΠΈ сС ΠΈ поСтСси ΠΈ Π°Π²Ρ‚ΠΎΡ€ΠΊΠΈ, Π° сС Π½Π΅ΠΏΠΎΠ·Π½Π°Ρ‚ΠΈ, ΠΊΠ°ΠΊΠΎ ΡˆΡ‚ΠΎ Π΅ ΠΌΠ°Π»ΠΊΡƒ ΠΏΠΎΠ·Π½Π°Ρ‚ΠΎ Π΄Π΅ΠΊΠ° Π½Π°Ρ˜Π³ΠΎΠ»Π΅ΠΌΠΈΡ‚Π΅ записи ΠΊΠΎΠΈ Π³ΠΈ Π½Π°ΠΏΡ€Π°Π²ΠΈΠ»Π΅ ΠΈ Π¨Π°ΠΏΠΊΠ°Ρ€Π΅Π² ΠΈ Π¦Π΅ΠΏΠ΅Π½ΠΊΠΎΠ² сС Π²ΡΡƒΡˆΠ½ΠΎΡΡ‚ ΠΎΠ΄ ΠΆΠ΅Π½ΠΈ. Вој Π²ΠΎΠ΅Π΄Π½ΠΎ посочи ΠΈ Π΄Π΅ΠΊΠ° Ρ‚Ρ€Π΅Π±Π° Π΄Π° сС ΠΈΠΌΠ°Π°Ρ‚ ΠΏΡ€Π΅Π΄Π²ΠΈΠ΄ ΠΈ ΠΎΠ½ΠΈΠ΅ ΠΆΠ΅Π½ΠΈ ΠΊΠΎΠΈ Π³ΠΎ спасилС макСдонскиот јазик Π²ΠΎ послСдната Π΅Ρ‚Π°ΠΏΠ° Π½Π° Ρ†Ρ€ΠΊΠΎΠ²Π½ΠΎ-Π½Π°Ρ€ΠΎΠ΄Π½Π°Ρ‚Π° Π±ΠΎΡ€Π±Π° спроти макСдонската Ρ€Π΅Π²ΠΎΠ»ΡƒΡ†ΠΈΡ˜Π°. „Π’ΠΎΠ° сС ΠΎΠ½ΠΈΠ΅ пСсни ΠΊΠΎΠΈ ќС Π³ΠΈ запишС Васил Икономов ΠΈ јасно ќС ΠΊΠ°ΠΆΠ΅ Π΄Π΅ΠΊΠ° сС ΠΎΠ΄ Π—Π°ΠΏΠ°Π΄Π½Π° МакСдонија. ОвиС пСсни ΠΌΠΎΠΆΠ΅ΠΌΠ΅ Π΄Π° ΠΊΠ°ΠΆΠ΅ΠΌΠ΅ Π΄Π΅ΠΊΠ° сС Π²Π΅Ρ‡Π½ΠΈ ΠΈ Π΄Π΅ΠΊΠ° Π²ΠΎ Π½ΠΈΠ² Π³ΠΎ ΠΈΠΌΠ°ΠΌΠ΅ макСдонскиот јазик Π²ΠΎ сСта ΠΎΠ½Π°Π° ΡƒΠ±Π°Π²ΠΈΠ½Π° ΡˆΡ‚ΠΎ Π΅ Π·Π°Ρ‡ΡƒΠ²Π°Π½Π° Π΄ΠΎ Π΄Π΅Π½ дСнСс, ΠΈ Π²ΠΎ ΠΏΠΎΠ΅Ρ‚ΠΈΠΊΠ°Ρ‚Π° ΠΈ Π²ΠΎ Π½Π°Ρ€Π°Ρ†ΠΈΡ˜Π°Ρ‚Π°. Π‘ΠΈΠ΄Π΅Ρ˜ΡœΠΈ Ρ‚ΠΎΠΊΠΌΡƒ кај пСснитС Π½Π° Π”Π°Ρ„ΠΈΠ½Π° ΠΎΠ΄ ΠŸΡ€ΠΎΡΠ΅Π½ΠΈΠΊ ја ΠΈΠΌΠ°ΠΌΠ΅ ΠΏΠΎΡ˜Π°Π²Π°Ρ‚Π° Π½Π° слободниот стих ΡˆΡ‚ΠΎ Π½Π° Π²Ρ€Π΅ΠΌΠ΅Ρ‚ΠΎ Π½Π° ситС фолклористи ΠΈΠΌ ΠΏΡ€Π΅Ρ‡Π΅Π»Π°, Π° Π²ΠΎ записитС Π½Π° ΠšΡƒΠ·ΠΌΠ°Π½ Π¨Π°ΠΏΠΊΠ°Ρ€Π΅Π² ΠΈΠΌΠ°ΠΌΠ΅ Π΅Π΄Π΅Π½ Π½Π°Π΄Π΄ΠΈΡ˜Π°Π»Π΅ΠΊΡ‚Π΅Π½ јазик, ΠΈΠ°ΠΊΠΎ ситС ΠΌΡƒ ΠΏΡ€Π΅Ρ„Ρ€Π»Π°Π»Π΅ Π΄Π΅ΠΊΠ° лошо Π³ΠΈ Π±Π΅Π»Π΅ΠΆΠΈ Π΄ΠΈΡ˜Π°Π»Π΅ΠΊΡ‚ΠΈΡ‚Π΅. Π’ΡΡƒΡˆΠ½ΠΎΡΡ‚ Ρ‚ΠΎΡ˜ Π±Π΅Π»Π΅ΠΆΠ΅Π» Π΅Π΄Π½Π° повисока Ρ„ΠΎΡ€ΠΌΠ° ΠΎΠ΄ која ΡˆΡ‚ΠΎ израснува макСдонскиот Π»ΠΈΡ‚Π΅Ρ€Π°Ρ‚ΡƒΡ€Π΅Π½ јазик“, Π΄ΠΎΠ΄Π°Π΄Π΅ ПандСв.


Како ΡˆΡ‚ΠΎ посочи, ΠΏΠ°ΠΊ, профСсорката ВСсна Мојсова-ЧСпишСвска со овој настан Π½Π°ΠΌΠ΅Ρ€Π°Ρ‚Π° Π΅ Π΄Π° сС ΠΏΡ€ΠΎΠ³ΠΎΠ²ΠΎΡ€ΠΈ Π·Π° Π½Π΅ΠΊΠΎΠΈ ΠΌΠΎΠΌΠ΅Π½Ρ‚ΠΈ Π²ΠΎ Ρ‚.Π½. макСдонско ТСнско писмо. „Π‘ΠΎ ΠœΠΈΠ»ΠΈΡ†Π° РадСвска ΠΈ Π”ΠΈΠΌΠΈΡ‚Π°Ρ€ ПандСв сакавмС Π΄Π° Π½Π°ΠΏΡ€Π°Π²ΠΈΠΌΠ΅ ΠΌΠ°Π» прСсСк ΠΈ Π΄Π° Π·Π±ΠΎΡ€ΡƒΠ²Π°ΠΌΠ΅ Π·Π° ΠΏΡ€Π²ΠΈΡ‚Π΅ поСтски стимули Π²ΠΎ 19 Π²Π΅ΠΊ, ΠΏΠ° ΠΏΠΎΡ‚ΠΎΠ° Ρ‚ΡƒΠΊΠ° Π΅ ΠΈ ΠΌΠΎΠ΅Ρ‚ΠΎ ΠΎΠ±Ρ€Π°ΡœΠ°ΡšΠ΅ Π·Π° ΠΏΡ€Π²ΠΈΡ‚Π΅ Ρ‚Ρ€ΠΈ Π΄Π°ΠΌΠΈ Π½Π° ΠΌΠΎΠ΄Π΅Ρ€Π½Π°Ρ‚Π° макСдонска поСзија (Π”Π°Π½ΠΈΡ†Π° Π ΡƒΡ‡ΠΈΠ³Π°Ρ˜, Π•Π²Π³Π΅Π½ΠΈΡ˜Π° Шуплиновска ΠΈ Π Π°Π΄ΠΌΠΈΠ»Π° Врифуновска) ΠΈ Ρ‚ΠΎΠ° ќС сС Π½Π°Π΄ΠΎΠ²Ρ€Π·Π΅ Π½Π° Π½ΠΎΠ²ΠΈΡ‚Π΅ ΠΌΠΎΠΌΠ΅Π½Ρ‚ΠΈ Π²ΠΎ Ρ‚ΠΎΠ° ТСнско писмо ΠΈΠ»ΠΈ писмото Π½Π° Π°Π²Ρ‚ΠΎΡ€ΠΊΠΈΡ‚Π΅, поСтСситС Π²ΠΎ 21 Π²Π΅ΠΊ“, Ρ€Π΅Ρ‡Π΅ Мојсова-ЧСпишСвска, ΠΏΠΎΡΠΎΡ‡ΡƒΠ²Π°Ρ˜ΡœΠΈ Π΄Π΅ΠΊΠ° ΠΎΠ²Π°Π° активност Π΅ Π½Π΅ΡˆΡ‚ΠΎ ΡˆΡ‚ΠΎ ΠΊΠ°ΠΊΠΎ Π”ΠŸΠœ сакаат ΠΏΠΎΠ΄ΠΎΠ»Π³ΠΎ Π²Ρ€Π΅ΠΌΠ΅ Π΄Π° Π³ΠΎ Ρ€Π°Π±ΠΎΡ‚Π°Ρ‚. „ΠΠ°ΡˆΠ°Ρ‚Π° Ρ†Π΅Π» Π΅ Π΄Π° Π½Π°ΠΏΡ€Π°Π²ΠΈΠΌΠ΅ ΠΈ Π°Π½Ρ‚ΠΎΠ»ΠΎΠ³ΠΈΠΈ, ΠΏΡ€Π²ΠΎ ΠΏΡ€Π΅Π³Π»Π΅Π΄Π½ΠΈ, Π° ΠΏΠΎΡ‚ΠΎΠ° ΠΈ тСматски, Ρ‚Π°ΠΊΠ° ΡˆΡ‚ΠΎ ΠΎΠ²Π° Π΅ ΠΏΡ€Π²Π°Ρ‚Π° Ρ„Π°Π·Π° Π²ΠΎ која Π½Π°Ρ˜ΠΏΡ€Π²ΠΎ ќС сС собСрСмС, ќС продискутирамС ΠΈ ќС си Π³ΠΈ ΠΎΡ‚Π²ΠΎΡ€ΠΈΠΌΠ΅ Π΄ΡƒΡˆΠΈΡ‚Π΅, Π·Π°Ρ‚ΠΎΠ° ΡˆΡ‚ΠΎ мислам Π΄Π΅ΠΊΠ° ΠΏΠΎΠ³ΠΎΠ»Π΅ΠΌΠΈΠΎΡ‚ Π±Ρ€ΠΎΡ˜ ΠΎΠ΄ макСдонскитС Π°Π²Ρ‚ΠΎΡ€ΠΊΠΈ Π²ΠΎ Π²Ρ‚ΠΎΡ€Π°Ρ‚Π° ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½Π° Π½Π° 20 Π²Π΅ΠΊ Π½Π΅ΠΌΠ°Π°Ρ‚ вистинско мСсто Π²ΠΎ макСдонскиот ΠΊΠ½ΠΈΠΆΠ΅Π²Π΅Π½ ΠΊΠ°Π½ΠΎΠ½. И Ρ‚ΡƒΠΊΠ° Π΅ Π½Π°Ρ˜Π³ΠΎΠ»Π΅ΠΌΠ°Ρ‚Π° ΠΏΡ€ΠΎΠ²ΠΎΠΊΠ°Ρ†ΠΈΡ˜Π° Π·ΠΎΡˆΡ‚ΠΎ сС Ρ€Π΅ΡˆΠΈΠ²ΠΌΠ΅ Π΄Π° Π³ΠΈ ΠΎΡ‚Π²ΠΎΡ€ΠΈΠΌΠ΅ ΠΎΠ²ΠΈΠ΅ срСдби“, Π΄ΠΎΠ΄Π°Π΄Π΅ профСсорката. (Н.И.Π’.)

vecer.press


abvedit ΡƒΡ‚ΠΎΡ€Π°ΠΊ, 3. Π΄Π΅Ρ†Π΅ΠΌΠ±Π°Ρ€ 2019.
ПРА­Π¨Π­ΠŠΠ•­Π’О "ЧИ­ΠˆΠ БИ?" 40 Π“Πž­Π”Π˜­ΠΠ˜ Π§Π•­ΠšΠ ΠžΠ”­Π“Πž­Π’ΠžΠ 
slave





"Π§ΠΈ­Ρ˜Π° си, Ρ‡ΠΈ­Ρ˜Π° си, Ρ‡ΠΈ­Ρ˜Π° си, ΠΈ кој Ρ‚ΠΈ Π³Π°­Π»ΠΈ Π΄ΠΎΠ»­Π³ΠΈ ΠΊΠΎ­ΡΠΈ..." Вој ΠΌΡƒ­Π·ΠΈΡ‡­ΠΊΠΎ-Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎ­Π²Π΅Π½ Π΅Π²Π΅Ρ€­Π³Ρ€ΠΈΠ½ Π²Π΅­ΡœΠ΅ со Π΄Π΅­Ρ†Π΅­Π½ΠΈΠΈ Π²Π»Π°­Π΄Π΅Π΅ со Π½Π°­ΡˆΠ°­Ρ‚Π° Π·Π°­Π±Π°Π²­Π½Π° ΠΌΡƒ­Π·ΠΈ­ΠΊΠ°. Π‘Π΅ ΠΏΠ΅Π΅ ΠΎΠ΄ ΠΊΠ°Π½­Ρ‚Π°Π²­Ρ‚ΠΎ­Ρ€ΠΎΡ‚, Π½Π΅­Π·Π°­ΠΌΠ΅Π½­Π»ΠΈ­Π²ΠΈ­ΠΎΡ‚ Π‘Π»Π°­Π²Π΅ Π”ΠΈ­ΠΌΠΈΡ‚­Ρ€ΠΎΠ², Π½ΠΎ сС сви­Ρ€ΠΈ ΠΈ Π²ΠΎ Π½ΠΎ­Π²ΠΈ Π°Ρ€Π°Π½­ΠΆΠΌΠ°­Π½ΠΈ. МС­Ρ“Ρƒ­Ρ‚ΠΎΠ°, Π°ΠΊΠΎ ΠΏΠΎ­Ρ‡Π΅­Ρ‚ΠΎ­ΠΊΠΎΡ‚ сС Π·Π½Π°Π΅, сe ΡƒΡˆ­Ρ‚Π΅ Π½Π΅ сС Π³Π»Π΅­Π΄Π° ΠΊΡ€Π°­Ρ˜ΠΎΡ‚ - ΠΎΠ΄­Π³ΠΎ­Π²ΠΎ­Ρ€ΠΎΡ‚. Π§ΠΈ­Ρ˜Π° си?
Π’ΠΎΠ° Π΅ ΠΈΠΌ­ΠΏΠΎ­Π·Π°Π½­Ρ‚Π΅Π½, Π·Π°­ΡˆΠ΅­ΠΌΠ΅­Ρ‚Ρƒ­Π²Π°Ρ‡­ΠΊΠΈ си­Π»Π΅Π½, Π½Π΅­ΠΎ­Π΄ΠΎ­Π»ΠΈΠ² спој Π½Π° ΠΌΡƒ­Π·ΠΈ­ΠΊΠ° ΠΈ тСкст ΠΏΠΎΠ»Π½ со Ρ‚Ρ€Π΅­ΠΏΠ΅­Ρ‚ΠΈ ΠΈ ΠΆΠ°Ρ€. И Π½ΠΈ­ΠΊΠΎΡ˜ кој ја слу­ΡˆΠ° ΠΈΠ»ΠΈ ΠΏΠΎΡ‚­ΠΏΠ΅Π²­Π½Ρƒ­Π²Π°, Π½Π΅ Π΅ ΠΈΠ½­Π΄ΠΈ­Ρ„Π΅­Ρ€Π΅Π½­Ρ‚Π΅Π½, Π±Π΅Π· Π΅ΠΌΠΎ­Ρ†ΠΈΠΈ ΠΈ сС­ΡœΠ°­Π²Π°­ΡšΠ° Π½Π° нСј­Π·ΠΈ­Π½ΠΎ­Ρ‚ΠΎ ΠΏΠΎ­Ρ˜Π°­Π²Ρƒ­Π²Π°­ΡšΠ΅. А Ρ‚Π°Π° ΠΌΡƒ­Π·ΠΈ­ΠΊΠ°, сил­Π½Π° ΠΊΠ°­ΠΊΠΎ ΠΈ Π·Π±ΠΎ­Ρ€ΠΎ­Π²ΠΈ­Ρ‚Π΅, Π³ΠΎ Π½Π°­Ρ‚Π΅­Ρ€Π°Π° Π‘Π»Π°­Π²Π΅ Π”ΠΈ­ΠΌΠΈΡ‚­Ρ€ΠΎΠ² ΠΈ сам Π΄Π° ја ис­ΠΏΠ΅Π΅, ΠΏΡ€Π² ΠΏΠ°Ρ‚ Π²ΠΎ 1971 Π³ΠΎ­Π΄ΠΈ­Π½Π° Π½Π° Π‘ΠΊΠΎΠΏ­ΡΠΊΠΈ­ΠΎΡ‚ фСс­Ρ‚ΠΈ­Π²Π°Π». Ја ис­ΠΏΠ΅Π° ΠΊΠ°­ΠΊΠΎ сe ΡƒΡˆ­Ρ‚Π΅ Π½ΠΈ­ΠΊΠΎΡ˜ Π΄Ρ€ΡƒΠ³, ос­Π²Π΅Π½, ΠΌΠΎ­ΠΆΠ΅­Π±ΠΈ, со­Π»ΠΎ-Π²ΠΈ­ΠΎ­Π»ΠΈ­Π½Π°­Ρ‚Π°.
Ав­Ρ‚ΠΎΡ€ Π½Π° Π»Π΅­Π³Π΅Π½­Π΄Π°Ρ€­Π½ΠΈ­ΠΎΡ‚ тСкст Π·Π° "Π§ΠΈ­Ρ˜Π° си" Π΅ ΠΌΠΎ­Ρ˜ΠΎΡ‚ со­Ρƒ­Ρ‡Π΅­Π½ΠΈΠΊ Π‘Π»Π°­Π³ΠΎΡ˜ Π‘Ρ‚Π΅­Ρ„Π°­Π½ΠΎΠ²­ΡΠΊΠΈ - Π‘Π»Π°­Π³ΠΎΡ˜­Ρ‡Π΅, Π΅Π΄Π΅Π½ ΠΎΠ΄ Π³Π΅­Π½Π΅­Ρ€Π°­Ρ†ΠΈ­Ρ˜Π°­Ρ‚Π° ΠΌΠ°­Ρ‚Ρƒ­Ρ€Π°Π½­Ρ‚ΠΈ 1948-49 Π²ΠΎ Маш­ΠΊΠ°­Ρ‚Π° Π³ΠΈΠΌ­Π½Π°­Π·ΠΈ­Ρ˜Π° "Π¦Π²Π΅­Ρ‚Π°Π½ Π”ΠΈ­ΠΌΠΎΠ²" Π²ΠΎ Π‘ΠΊΠΎΠΏ­Ρ˜Π΅.
Има ΠΏΡ€ΠΎ­Ρ„Π΅­ΡΠΈΠΈ Π²ΠΎ ΠΊΠΎΠΈ Ρ‚Π°­Π»Π΅Π½­Ρ‚ΠΈ­Ρ€Π°­Π½ΠΈ­Ρ‚Π΅ Π΄ΠΎ­Π°­Ρ“Π°­Π°Ρ‚ Π΄ΠΎ ΠΏΠΎΠ»Π½ ΠΈΠ·­Ρ€Π°Π·, ΠΏΡ€ΠΎ­Ρ„Π΅­ΡΠΈΠΈ ΠΏΠΎΠ·­Π½Π°­Ρ‚ΠΈ ΠΊΠ°­ΠΊΠΎ нСш­Ρ‚ΠΎ "ΠΎΠ±ΠΈΡ‡­Π½ΠΎ". Но ΠΈΠΌΠ° ΠΈ Ρ‚Π°ΠΊ­Π²ΠΈ, ΠΊΠΎΠΈ ΠΊΠ°­ΠΊΠΎ Π΄Π° сС ΠΏΠΎΠ΄­Π·Π°Ρ‚с­ΠΊΡ€ΠΈ­Π΅­Π½ΠΈ, Π½Π΅ ΠΊΠΎΠΈ Π½Π΅ ΠΈΠΌ ΠΎΠ±Ρ€­Π½Ρƒ­Π²Π°­ΠΌΠ΅ Π΄ΠΎ­Π²ΠΎΠ»­Π½ΠΎ Π²Π½ΠΈ­ΠΌΠ°­Π½ΠΈΠ΅ ΠΈ Π²ΠΎ Π½ΠΈΠ² Ρ‚Π°­Π»Π΅Π½­Ρ‚ΠΈ­Ρ‚Π΅ си ос­Ρ‚Π°­Π½Ρƒ­Π²Π°­Π°Ρ‚ Π²ΠΎ сСн­ΠΊΠ°. Π’Π°ΠΊ­Π²Π° Π΅ ΠΏΡ€ΠΎ­Ρ„Π΅­ΡΠΈ­Ρ˜Π°­Ρ‚Π° Π΄Π° сС ΠΏΠΈ­ΡˆΡƒ­Π²Π°­Π°Ρ‚ Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎ­Π²ΠΈ Π·Π° Π·Π°­Π±Π°Π²­Π½Π° ΠΌΡƒ­Π·ΠΈ­ΠΊΠ°. Π’ΠΈΠ΅ Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎ­ΠΏΠΈΡ­Ρ†ΠΈ Ρ‚Ρ€Π΅­Π±Π° Π΄Π° сС ΠΈ ΠΌΡƒ­Π·ΠΈΡ‡­ΠΊΠΈ ΠΎΠ±­Ρ€Π°­Π·ΠΎ­Π²Π°­Π½ΠΈ, Π΄Π° ја ΠΏΠΎΠ·­Π½Π°­Π²Π°­Π°Ρ‚ ΠΌΡƒ­Π·ΠΈ­ΠΊΠ°­Ρ‚Π° ΠΈ Π΄Π° Π³ΠΈ ΠΎΡ‚­ΠΊΡ€ΠΈ­Π²Π°­Π°Ρ‚ нСј­Π·ΠΈ­Π½ΠΈ­Ρ‚Π΅ Ρ‚Π°Ρ˜­Π½ΠΈ ΠΆΠ΅Π»­Π±ΠΈ ΠΈ Π΄Π° Π³ΠΈ Ρ‡ΠΈ­Ρ‚Π°­Π°Ρ‚. ОвиС спо­ΡΠΎΠ±­Π½ΠΎΡ­Ρ‚ΠΈ Π³ΠΈ ΠΈΠΌΠ°­ΡˆΠ΅ Π‘Π»Π°­Π³ΠΎΡ˜­Ρ‡Π΅. Вој ΡƒΡˆ­Ρ‚Π΅ Π²ΠΎ ΠΏΡ€­Π²ΠΈ­Ρ‚Π΅ ΠΊΠ»Π°­ΡΠΎ­Π²ΠΈ Π½Π° Π³ΠΈΠΌ­Π½Π°­Π·ΠΈ­Ρ˜Π°­Ρ‚Π° Π³ΠΎ ΠΏΠΎ­ΠΊΠ°­ΠΆΠ° сво­Ρ˜ΠΎΡ‚ Ρ‚Π°­Π»Π΅Π½Ρ‚, учСс­Ρ‚Π²Ρƒ­Π²Π°Ρ˜­ΡœΠΈ Π²ΠΎ Π³ΠΈΠΌ­Π½Π°­Π·ΠΈΡ­ΠΊΠΈ­ΠΎΡ‚ вСс­Π½ΠΈΠΊ (Π‘ΠΈΠ»­Ρ‚Π΅Π½ - Π“ΠΈΠΌ­Π½Π°­Π·ΠΈ­Ρ˜Π°­Π»Π΅Ρ†). Об­Ρ˜Π°­Π²Ρƒ­Π²Π°­ΡˆΠ΅ Ρ„Π΅Ρ™­Ρ‚ΠΎ­Π½ΠΈ, пСс­Π½ΠΈ, Π΄Ρƒ­Ρ€ΠΈ ΠΈ ΠΏΠΎ­Π΄ΠΎΡ†­Π½Π°, ΠΊΠ°­ΠΊΠΎ сту­Π΄Π΅Π½Ρ‚, ΠΊΠ°­ΠΊΠΎ ΡƒΡ€Π΅Π΄­Π½ΠΈΠΊ Π½Π° ΠΏΡ€ΠΎΠ³­Ρ€Π°­ΠΌΠ°­Ρ‚Π° Π½Π° Π Π°­Π΄ΠΈΠΎ Π‘ΠΊΠΎΠΏ­Ρ˜Π΅ ΠΈ Π°Π²­Ρ‚ΠΎΡ€ Π½Π° Π±Ρ€ΠΎΡ˜­Π½ΠΈ Π΅ΠΌΠΈ­ΡΠΈΠΈ. Вој Π½Π°­ΠΏΠΎ­Ρ€Π΅Π΄­Π½ΠΎ со Ρ€Π΅­Π΄ΠΎΠ²­Π½Π°­Ρ‚Π° Ρ€Π°­Π±ΠΎ­Ρ‚Π° со­Ρ€Π°­Π±ΠΎ­Ρ‚Ρƒ­Π²Π°­ΡˆΠ΅ со ΠΌΠ½ΠΎ­Π³Ρƒ ΠΊΠΎΠΌ­ΠΏΠΎ­Π·ΠΈ­Ρ‚ΠΎ­Ρ€ΠΈ Π½Π° Π·Π°­Π±Π°Π²­Π½ΠΈ ΠΌΠ΅­Π»ΠΎ­Π΄ΠΈΠΈ ΠΏΠΈ­ΡˆΡƒ­Π²Π°Ρ˜­ΡœΠΈ ΠΈΠΌ Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎ­Π²ΠΈ. Π“ΠΎ­Π»Π΅­ΠΌΠ° Π΅ Π±Ρ€ΠΎΡ˜­ΠΊΠ°­Ρ‚Π° Π½Π° Ρ‚ΠΈΠ΅ ΠΊΠΎΠΌ­ΠΏΠΎ­Π·ΠΈ­Ρ‚ΠΎ­Ρ€ΠΈ, Π΄Ρƒ­Ρ€ΠΈ ΠΈ ΠΏΡ€Π΅­ΠΊΡƒ 50. МС­Ρ“Ρƒ Π½ΠΈΠ² сС ΠΈ ΠΈΠΌΠΈ­ΡšΠ°­Ρ‚Π° Π½Π° Π”Ρ€Π°­Π³Π°Π½ ΠƒΠ°­ΠΊΠΎ­Π½ΠΎΠ²­ΡΠΊΠΈ - Π¨ΠΏΠ°­Ρ‚ΠΎ, АлСк­ΡΠ°Π½­Π΄Π°Ρ€ Џам­Π±Π°­Π·ΠΎΠ², Π”ΠΈ­ΠΌΠΈ­Ρ‚Π°Ρ€ Ма­ΡΠ΅Π²­ΡΠΊΠΈ, Π‘Π»Π°­Π²Π΅ Π”ΠΈ­ΠΌΠΈΡ‚­Ρ€ΠΎΠ², Π‰Ρƒ­Π±ΠΎ­ΠΌΠΈΡ€ Π‘Ρ€Π°Π½­Ρ“ΠΎ­Π»ΠΈ­Ρ†Π°, Ја­Π½Π΅ Ко­ΡŸΠΎ­Π±Π°­ΡˆΠΈ­Ρ˜Π° ΠΈ Π΄Ρ€Ρƒ­Π³ΠΈ.






Π‘Π»Π°­Π³ΠΎΡ˜ Π‘Ρ‚Π΅­Ρ„Π°­Π½ΠΎΠ²­ΡΠΊΠΈ - Π‘Π»Π°­Π³ΠΎΡ˜­Ρ‡Π΅ (ΠΏΡ€­Π²ΠΈ­ΠΎΡ‚ ΠΎΠ΄ Π»Π΅­Π²ΠΎ) со Π‘Π»Π°­Π²Π΅ Π”ΠΈ­ΠΌΠΈΡ‚­Ρ€ΠΎΠ² Π²ΠΎ 1971 Π²ΠΎ сту­Π΄ΠΈ­ΠΎ­Ρ‚ΠΎ Π½Π° Π Π°­Π΄ΠΈΠΎ Π‘ΠΊΠΎΠΏ­Ρ˜Π΅ ΠΊΠ°­Π΄Π΅ Π΅ сни­ΠΌΠ΅­Π½Π° "Π§ΠΈ­Ρ˜Π° си"


Ин­Ρ‚Π΅­Ρ€Π΅Ρ­Π½Π° Π΅ со­Ρ€Π°­Π±ΠΎΡ‚­ΠΊΠ°­Ρ‚Π° со Π‘Π»Π°­Π²Π΅ Π”ΠΈ­ΠΌΠΈΡ‚­Ρ€ΠΎΠ².
"ΠœΡƒ­Π·ΠΈ­ΠΊΠ°­Ρ‚Π° Π·Π° "Π§ΠΈ­Ρ˜Π° си" Π΅ ΠΊΠΎΠΌ­ΠΏΠΎ­Π½ΠΈ­Ρ€Π°­Π½Π° Π²ΠΎ Ρ‚Π΅­ΠΊΠΎΡ‚ Π½Π° 1969 Π³ΠΎ­Π΄ΠΈ­Π½Π° Π²ΠΎ Π‘ΠΈ­Ρ‚ΠΎ­Π»Π°, Π° Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎΡ‚ ΠΈ Π°Ρ€Π°Π½­ΠΆΠΌΠ°­Π½ΠΎΡ‚ Π½Π° ΠΌΡƒ­Π·ΠΈ­ΠΊΠ°­Ρ‚Π° сС соз­Π΄Π°­Π΄Π΅­Π½ΠΈ Π²ΠΎ Π‘ΠΊΠΎΠΏ­Ρ˜Π΅ Π²ΠΎ 1971", Π²Π΅­Π»ΠΈ Π‘Π»Π°­Π²Π΅ Π”ΠΈ­ΠΌΠΈΡ‚­Ρ€ΠΎΠ² Π·Π° сво­Ρ˜ΠΎΡ‚ Ρ…ΠΈΡ‚. "'Π§ΠΈ­Ρ˜Π° си' Π΅ Π·Π° ΠΏΡ€Π² ΠΏΠ°Ρ‚ јав­Π½ΠΎ ΠΎΠ±­Ρ˜Π°­Π²Π΅­Π½Π° Π½Π° ЀСс­Ρ‚ΠΈ­Π²Π°­Π»ΠΎΡ‚ Π½Π° Π·Π°­Π±Π°Π²­Π½ΠΈ ΠΌΠ΅­Π»ΠΎ­Π΄ΠΈΠΈ Π‘ΠΊΠΎΠΏ­Ρ˜Π΅ 71, Π° Π΅ ΠΈΠ·­Π²Π΅­Π΄Π΅­Π½Π° Π²ΠΎ Π΄Π²Π΅ Π²Π΅Ρ€­Π·ΠΈΠΈ, ΠΏΡ€Π°­Π²Π°­Ρ‚Π° Π²ΠΎ ΠΌΠΎ­Ρ˜Π° Π²ΠΎ­ΠΊΠ°Π»­Π½Π° ΠΈΠ½­Ρ‚Π΅Ρ€­ΠΏΡ€Π΅­Ρ‚Π°­Ρ†ΠΈ­Ρ˜Π° Π° Π²Ρ‚ΠΎ­Ρ€Π°­Ρ‚Π° Π²ΠΎ Π²ΠΎ­ΠΊΠ°Π»­Π½Π° ΠΈΠ½­Ρ‚Π΅Ρ€­ΠΏΡ€Π΅­Ρ‚Π°­Ρ†ΠΈ­Ρ˜Π° Π½Π° ΠšΡ€Ρƒ­Π½ΠΎΡ­Π»Π°Π² Ки­ΡœΠΎ Π‘Π»Π°­Π±ΠΈ­Π½Π°Ρ†, ΠΊΠ°­Π΄Π΅ Π±Π΅­ΡˆΠ΅ Π½Π°Π³­Ρ€Π°­Π΄Π΅­Π½Π° со Π²Ρ‚ΠΎ­Ρ€Π° Π½Π°Π³­Ρ€Π°­Π΄Π° Π½Π° ΠΏΡƒΠ±­Π»ΠΈ­ΠΊΠ°­Ρ‚Π°", рас­ΠΊΠ°­ΠΆΡƒ­Π²Π° Π‘Π»Π°­Π²Π΅.
Π‘Π»Π°­Π²Π΅ Π½Π°­ΠΏΠΈ­ΡˆΠ°Π» ΠΊΠΎΠΌ­ΠΏΠΎ­Π·ΠΈ­Ρ†ΠΈ­Ρ˜Π°, Π½ΠΎ Π±Π΅Π· ΠΈΠΌΠ΅. Π’Π°Π° сто­Π΅­Π»Π° Π²ΠΎ Ρ„ΠΈ­ΠΎ­ΠΊΠ° Π΄Π²Π΅ Π³ΠΎ­Π΄ΠΈ­Π½ΠΈ. Π•Π΄Π΅Π½ Π΄Π΅Π½ Π‘Π»Π°­Π²Π΅ ΠΌΡƒ ја ΠΎΡ‚­ΡΠ²ΠΈ­Ρ€ΠΈΠ» Π½Π° Π‘Π»Π°­Π³ΠΎΡ˜­Ρ‡Π΅ ΠΈ Ρ‚ΠΎΡ˜ сС Π·Π°­Ρ„Π°­ΡœΠ° Π΄Π° Π½Π°­ΠΏΠΈ­ΡˆΠ΅ тСкст. Π‘ΠΈ­Π΄Π΅Ρ˜­ΡœΠΈ Π±ΠΈ­Π»Π° Π±Π΅Π·­ΠΈ­ΠΌΠ΅­Π½Π°, Ρ‚Ρ€Π΅­Π±Π°­Π»ΠΎ Π΄Π° сС нај­Π΄Π΅ ΠΊΠ»Ρƒ­Ρ‡ΠΎΡ‚, Π΄Π° сС ΠΎΡ‚­ΠΊΡ€ΠΈ­Ρ˜Π°Ρ‚ Ρ‚Π°Ρ˜­Π½ΠΈ­Ρ‚Π΅ Π½Π° Π½ΠΎ­Ρ‚ΠΈ­Ρ‚Π΅. И Π‘Π»Π°­Π³ΠΎΡ˜­Ρ‡Π΅ ја ΠΏΠΎ­Ρ‡ΡƒΠ²Ρ­Ρ‚Π²Ρƒ­Π²Π°Π» со­Π΄Ρ€­ΠΆΠΈ­Π½Π°­Ρ‚Π° ΠΊΠΎ­Ρ˜Π° Π³ΠΎ Π½ΠΎ­ΡΠ΅­Π»Π° ΠΏΡ€Π°­ΡˆΠ°­ΡšΠ΅­Ρ‚ΠΎ: "Π§ΠΈ­Ρ˜Π° си?" По­Ρ‚ΠΎΠ° Π²Π΅­ΡœΠ΅ Π±ΠΈ­Π»ΠΎ ΠΏΠΎ­Π»Π΅Ρ­Π½ΠΎ Π΄Π° Π³ΠΎ сос­Ρ‚Π°­Π²ΠΈ Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎΡ‚. Вој тСкст Π»Π΅Π³­Π½Π°Π» Π½Π° Π½ΠΎ­Ρ‚ΠΈ­Ρ‚Π΅, Ρ‚Π°­ΠΊΠ° ΡˆΡ‚ΠΎ ста­Π½Π°­Π»ΠΎ Π½Π΅­Π²ΠΎΠ·­ΠΌΠΎΠΆ­Π½ΠΎ Ρ‚Π°Π° ΠΌΠ΅­Π»ΠΎ­Π΄ΠΈ­Ρ˜Π° Π΄Π° ΠΈΠΌΠ° Π΄Ρ€ΡƒΠ³ тСкст. На Ρ‚ΠΎΡ˜ Π½Π°­Ρ‡ΠΈΠ½ ΠΌΠ΅­Π»ΠΎ­Π΄ΠΈ­Ρ˜Π°­Ρ‚Π° ΠΈ Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎΡ‚ ста­Π½Π°­Π»Π΅ Π½Π΅­Ρ€Π°Π·­Π΄Π΅Π»­Π½ΠΈ: Π½ΠΈ­Ρ‚ΠΈ ΠΌΠ΅­Π»ΠΎ­Π΄ΠΈ­Ρ˜Π°­Ρ‚Π° ΠΌΠΎ­ΠΆΠ΅­Π»Π° Π΄Π° ΠΆΠΈ­Π²Π΅Π΅ са­ΠΌΠ°, Π½ΠΈ­Ρ‚Ρƒ Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎΡ‚ Π΄Π° ΠΏΡ€Π΅Ρ‚­ΡΡ‚Π°­Π²Ρƒ­Π²Π° сам нСш­Ρ‚ΠΎ осо­Π±Π΅­Π½ΠΎ. Но Π·Π°­Π΅Π΄­Π½ΠΎ, ΠΊΠ°­ΠΊΠΎ Π½Π΅­ΠΊΠΎ­Ρ˜Π° Π»Π΅­Π³Ρƒ­Ρ€Π°, пСс­Π½Π°­Ρ‚Π° Π½Π°­Ρ€Π΅­Ρ‡Π΅­Π½Π° "Π§ΠΈ­Ρ˜Π° си" ΠΏΡ€Π΅Ρ‚­ΡΡ‚Π°­Π²Ρƒ­Π²Π°­Π»Π° Π΅Π»Π΅­ΠΌΠ΅Π½Ρ‚ со сил­Π½Π° спС­Ρ†ΠΈ­Ρ„ΠΈΡ‡­Π½Π° Ρ‚Π΅­ΠΆΠΈ­Π½Π°.
НСј­Π·ΠΈ­Π½Π°­Ρ‚Π° ΠΏΡ€Π°­ΠΈΠ·­Π²Π΅Π΄­Π±Π° Π½Π° Π‘ΠΊΠΎΠΏ­ΡΠΊΠΈ­ΠΎΡ‚ фСс­Ρ‚ΠΈ­Π²Π°Π» Π²ΠΎ 1971 Π³ΠΎ­Π΄ΠΈ­Π½Π° Π²ΠΎ ис­ΠΏΠΎΠ»­Π½Π΅­Π½ΠΈΠ΅ Π½Π° Π‘Π»Π°­Π²Π΅ Π”ΠΈ­ΠΌΠΈΡ‚­Ρ€ΠΎΠ² Π΅ Π½Π°Π³­Ρ€Π°­Π΄Π΅­Π½Π°, Π½ΠΎ Π½Π΅ ΠΎΠ΄ струч­Π½ΠΎ­Ρ‚ΠΎ ΠΆΠΈ­Ρ€ΠΈ, Ρ‚Ρƒ­ΠΊΡƒ ΠΎΠ΄ ΠΏΡƒΠ±­Π»ΠΈ­ΠΊΠ°­Ρ‚Π°. Π–ΠΈ­Ρ€ΠΈ­Ρ‚ΠΎ ΠΏΠΎ­ΠΊΠ°­ΠΆΠ°­Π»ΠΎ ΠΌΡƒ­Π·ΠΈΡ‡­ΠΊΠΈ Π΄Π°Π»­Ρ‚ΠΎ­Π½ΠΈ­Π·Π°ΠΌ. ΠžΡ‚­Ρ‚ΠΎ­Π³Π°Ρˆ "Π§ΠΈ­Ρ˜Π° си" ста­Π½Ρƒ­Π²Π° Ρ…ΠΈΡ‚. Π‘Π΅ ис­ΠΏΠΎΠ»­Π½Ρƒ­Π²Π° ΠΈ Π²ΠΎ Π΄Ρ€Ρƒ­Π³ΠΈ Π°Ρ€Π°Π½­ΠΆΠΌΠ°­Π½ΠΈ, Π½ΠΎ ΠΏΡ€Π°­ΠΈΠ·­Π²Π΅Π΄­Π±Π°­Ρ‚Π° си ос­Ρ‚Π°­Π½Ρƒ­Π²Π° нај­Π²Π΅Ρ€­Π½Π° ΠΈ Π½Π° Ρ„ΠΎΡ€­ΠΌΠ°­Ρ‚Π° ΠΈ Π½Π° со­Π΄Ρ€­ΠΆΠΈ­Π½Π°­Ρ‚Π°.
Π§ΠΈ­Π½Π°ΠΌ Π΄Π΅­ΠΊΠ° Π²ΠΎ ΠΎΠ²Π°Π° пСс­Π½Π° ΠΈΠΌΠ° нСш­Ρ‚ΠΎ ΡˆΡ‚ΠΎ ΠΏΠΎΡ‚­ΡΠ΅­Ρ‚Ρƒ­Π²Π° Π½Π° "Π‘ΠΎ­Π»Π΅­Ρ€ΠΎ" ΠΎΠ΄ Мо­Ρ€ΠΈΡ Π Π°­Π²Π΅Π» - Ρ‚Ρ€Π°­Π³ΠΈ­ΠΊΠ°, Π½Π° Π΅Π΄­Π½Π° слат­ΠΊΠ° Π·Π°­ΠΌΠΎ­Ρ€Π΅­Π½ΠΎΡΡ‚ ΠΊΠΎ­Ρ˜Π° ΠΏΠΎΡ‚­ΡΠ΅­Ρ‚Ρƒ­Π²Π° Π½Π° ΠΏΠΎΠ·­Π½Π°­Ρ‚Π°­Ρ‚Π° пСс­Π½Π° ΠΎΠ΄ Π‘Π»Π°­ΠΆΠ΅ Ко­Π½Π΅­ΡΠΊΠΈ "Π£Π±Π°­Π²ΠΈ­Π½ΠΎ, Ρ‚ΠΈ ΠΌΠ΅ Π·Π°­ΠΌΠΎ­Ρ€Ρƒ­Π²Π°Ρˆ Π²Π΅­ΡœΠ΅", Π° ΡƒΡˆ­Ρ‚Π΅ ΠΏΠΎ­Π²Π΅­ΡœΠ΅ ΠΏΠΎ чувс­Ρ‚Π²ΠΎ­Ρ‚ΠΎ Π½Π° Ρ‚Π°Ρ˜­Π½ΠΎ­Π²ΠΈ­Ρ‚ост, Π·Π°­Π³Π°Ρ‚­Π»ΠΈ­Π²ΠΎΡΡ‚, ΠΊΠ°ΠΊ­Π²Π° ΡˆΡ‚ΠΎ ја ΠΈΠΌΠ° Π²ΠΎ ΠΏΠΎΠ·­Π½Π°­Ρ‚ΠΈ­ΠΎΡ‚ ΠΏΠΎΡ€­Ρ‚Ρ€Π΅Ρ‚ Π½Π° "Мо­Π½Π° Π›ΠΈ­Π·Π°" ΠΎΠ΄ Π”Π° Π’ΠΈΠ½­Ρ‡ΠΈ. Π’Π°Π° дис­ΠΊΡ€Π΅Ρ‚­Π½Π° нас­ΠΌΠ΅Π²­ΠΊΠ° Π΅ Π²Π΅Ρ‡­Π½ΠΎ Π½Π΅­ΠΎΠ΄­Π³Π°Ρ‚­Π»ΠΈ­Π²Π°. "Π§ΠΈ­Ρ˜Π° си" Π΅ ΠΌΡƒ­Π·ΠΈΡ‡­ΠΊΠΎ-Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎΠ²­Π½Π° ΠΊΠΎΠΌ­ΠΏΠΎ­Π·ΠΈ­Ρ†ΠΈ­Ρ˜Π° Π±ΠΎ­Π³Π°­Ρ‚Π° со сво­Ρ˜ΠΎΡ‚ ΠΊΠΎ­Π»ΠΎ­Ρ€ΠΈΡ‚, Ρ‚ΠΎΠΏ­Π»ΠΈ Ρ‚ΠΎ­Π½ΠΎ­Π²ΠΈ, Π° срС­Π΄Π΅ Ρ‚ΠΎΠ° ΠΈ Π΄Π΅­Π²ΠΎΡ˜­ΠΊΠ°­Ρ‚Π°, Π½Π΅­Π²ΠΈΠ΄­Π»ΠΈ­Π²Π°, со сво­Ρ˜Π°­Ρ‚Π° ΡƒΠ±Π°­Π²ΠΈ­Π½Π°, Π΄ΠΎΠ»­Π³ΠΈ­Ρ‚Π΅ ΠΊΠΎ­ΡΠΈ, ΠΊΠΎ­Ρ˜Π° Π½Π΅ Π΄Π°­Π²Π° ΠΎΠ΄­Π³ΠΎ­Π²ΠΎΡ€ Π½Π° ΠΌΠ½ΠΎ­Π³Ρƒ ΠΏΡ€Π°­ΡˆΠ°­ΡšΠ°: Ρ‡ΠΈ­Ρ˜Π° Π΅, кој Π³ΠΈ Π³Π°­Π»ΠΈ нСј­Π·ΠΈ­Π½ΠΈ­Ρ‚Π΅ ΠΊΠΎ­ΡΠΈ, ΠΊΠ°­ΠΊΠΎ $ Π΅ ΠΈΠΌΠ΅­Ρ‚ΠΎ? Π‘e ос­Ρ‚Π°­Π½Ρƒ­Π²Π° Ρ‚Π°Ρ˜­Π½Π°, Π²Π΅Ρ‡­Π½Π°. Π’ΠΎΠ° ја ΠΏΡ€Π°­Π²ΠΈ пСс­Π½Π°­Ρ‚Π° ΠΏΠΎ­ΡΠ΅Π±­Π½Π°, ΠΏΡ€Π΅­Π΄ΠΈΠ·­Π²ΠΈΠΊ­Π»ΠΈ­Π²Π°, пос­Ρ‚ΠΎ­Ρ˜Π°­Π½ΠΎ Π΄Π° сС ΠΏΠ΅Π΅, сви­Ρ€ΠΈ, слу­ΡˆΠ°.
Вој ΠΏΡ€Π΅­Π΄ΠΈΠ·­Π²ΠΈΠΊ Ρ‚Ρ€Π°Π΅ Π²Π΅­ΡœΠ΅ Ρ€Π΅­Ρ‡ΠΈ­ΡΠΈ Ρ‡Π΅­Ρ‚ΠΈ­Ρ€ΠΈ­Π΅­ΡΠ΅Ρ‚ Π³ΠΎ­Π΄ΠΈ­Π½ΠΈ. Π§Π΅­Ρ‚ΠΈ­Ρ€ΠΈ Π³Π΅­Π½Π΅­Ρ€Π°­Ρ†ΠΈΠΈ ја Π½ΠΎ­ΡΠ°Ρ‚ Π²ΠΎ сС­Π±Π΅, Π° ΠΈ Π΄Ρ€Ρƒ­Π³ΠΈ­Ρ‚Π΅ ΠΊΠΎΠΈ Π½Π°­ΠΈ­Π΄Ρƒ­Π²Π°­Π°Ρ‚. Пос­Ρ‚ΠΎ­Ρ˜Π°­Π½ΠΎ ја Π°ΠΊ­Ρ‚Ρƒ­Π΅­Π»ΠΈ­Π·ΠΈ­Ρ€Π°­Π°Ρ‚ ΠΈ Ρ‚Π°Π° ΠΏΡ€ΠΎ­Π΄ΠΎΠ»­ΠΆΡƒ­Π²Π° Π΄Π° ΠΆΠΈ­Π²Π΅Π΅ ΠΈ Π½Π°­Ρ‚Π°­ΠΌΡƒ. "Π§ΠΈ­Ρ˜Π° си" Π²Π΅­ΡœΠ΅ Π½Π΅ Π΅ са­ΠΌΠΎ Π΅Π²Π΅Ρ€­Π³Ρ€ΠΈΠ½, Ρ‚Ρƒ­ΠΊΡƒ, ΠΏΠΎΠ΄ сил­Π½Π°­Ρ‚Π° ΠΈΠΌ­ΠΏΡ€Π΅­ΡΠΈ­Ρ˜Π° Π½Π° ΠΌΠ΅­Π»ΠΎ­Π΄ΠΈ­Ρ˜Π°­Ρ‚Π° Π° ΠΈ Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎΡ‚, ΠΎΠ΄ ΠΏΡ€Π΅Π΄ Π΄Π΅­Ρ†Π΅­Π½ΠΈΠΈ, Ρ‚Π°Π° сС ΠΏΡ€Π΅­Ρ‚ΠΎ­Ρ‡ΠΈ Π²ΠΎ Π΄Ρ€Π°ΠΌ­ΡΠΊΠΈ тСкст, Π½Π° Π°Π²­Ρ‚ΠΎ­Ρ€ΠΎΡ‚ Π‘Π°­ΡˆΠΎ На­ΡΠ΅Π². Вој тСкст, ΠΎΠ΄ ΠΏΡ€Π΅­ΠΌΠΈ­Π΅­Ρ€Π°­Ρ‚Π° Π½Π° 09.02.1999 Π³ΠΎ­Π΄ΠΈ­Π½Π° Π½Π° сцС­Π½Π°­Ρ‚Π° Π½Π° Π”Ρ€Π°ΠΌ­ΡΠΊΠΈ Ρ‚Π΅­Π°­Ρ‚Π°Ρ€, Π·Π° са­ΠΌΠΎ ΠΏΡ€­Π²ΠΈ­Ρ‚Π΅ сС­Π΄ΡƒΠΌ ΠΌΠ΅­ΡΠ΅­Ρ†ΠΈ Π΅ ΠΈΠ·­Π²Π΅­Π΄Π΅Π½ 50 ΠΏΠ°­Ρ‚ΠΈ, сС­ΠΊΠΎ­Π³Π°Ρˆ ΠΏΡ€Π΅Π΄ рас­ΠΏΡ€ΠΎ­Π΄Π°­Π΄Π΅Π½ са­Π»ΠΎΠ½. Π’ΠΎ Ρ‚Π°Π° ΠΏΠΈ­Π΅­ΡΠ° "Π§ΠΈ­Ρ˜Π° си" сС ΠΏΠ΅Π΅ ΠΎΠ΄ Π˜Π³ΠΎΡ€ Џам­Π±Π°­Π·ΠΎΠ², сС­Π΄ΡƒΠΌ ΠΏΠ°­Ρ‚ΠΈ. А, Ρ‚ΠΎΡ˜, сСд­ΠΌΠΈ­ΠΎΡ‚ ΠΏΠ°Ρ‚, со кој ΠΈ Π·Π°­Π²Ρ€­ΡˆΡƒ­Π²Π° ΠΏΡ€Π΅Ρ‚­ΡΡ‚Π°­Π²Π°­Ρ‚Π°, Π΅ сил­Π½ΠΎ Ρ‚Ρ€Π°­Π³ΠΈ­Ρ‡Π΅Π½. Π’ΠΎ "МИ - АН-ΠΎΠ²Π°­Ρ‚Π°" Π΅Π½­Ρ†ΠΈΠΊ­Π»ΠΎ­ΠΏΠ΅­Π΄ΠΈ­Ρ˜Π° пСс­Π½Π°­Ρ‚Π° "Π§ΠΈ­Ρ˜Π° си" Π΅ ΠΏΡ€ΠΎΠ³­Π»Π°­ΡΠ΅­Π½Π° Π·Π° ПСс­Π½Π° Π½Π° Π²Π΅­ΠΊΠΎΡ‚ (Π΄Π²Π°­Π΅­ΡΠ΅Ρ‚­Ρ‚ΠΈ­ΠΎΡ‚) Π²ΠΎ 1999 Π³ΠΎ­Π΄ΠΈ­Π½Π°. Мо­ΠΆΠ΅­Π±ΠΈ, Π΅Π΄Π΅Π½ Π΄Π΅Π½, ќС сС Ρ€ΠΎ­Π΄ΠΈ ΠΈ ΠΎΠΏΠ΅­Ρ€Π° ΠΈΠ»ΠΈ Π±Π°­Π»Π΅Ρ‚. Π—Π°­Π²ΠΈ­ΡΠΈ ΠΊΠΎ­Π³ΠΎ ќС Π³ΠΎ Ρ„Π°­Ρ‚ΠΈ Π΅ΠΏΠΈ­Π΄Π΅­ΠΌΠΈ­Ρ˜Π°­Ρ‚Π° Π½Π° нос­Ρ‚Π°Π»­Π³ΠΈ­Ρ˜Π°.
На Π°Π²­Ρ‚ΠΎ­Ρ€ΠΎΡ‚ Π½Π° Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎΡ‚ Π½Π° "Π§ΠΈ­Ρ˜Π° си" - Π‘Π»Π°­Π³ΠΎ­Ρ˜Π° Π‘Ρ‚Π΅­Ρ„Π°­Π½ΠΎΠ²­ΡΠΊΠΈ, ΠΎΠ΄ 1971 Π³ΠΎ­Π΄ΠΈ­Π½Π° ΠΏΠ° сС Π΄ΠΎ 1993 Π³ΠΎ­Π΄ΠΈ­Π½Π°, Π½Π° си­Ρ‚Π΅ скоп­ΡΠΊΠΈ фСс­Ρ‚ΠΈ­Π²Π°­Π»ΠΈ, Π½Π°Π³­Ρ€Π°­Π΄Ρƒ­Π²Π°­Π½ΠΈ ΠΌΡƒ сС си­Ρ‚Π΅ Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎ­Π²ΠΈ, Π±Π΅Π· ис­ΠΊΠ»Ρƒ­Ρ‡ΠΎΠΊ. Има Π½Π°­ΠΏΠΈ­ΡˆΠ°­Π½ΠΎ ΠΏΡ€Π΅­ΠΊΡƒ 600 Ρ‚Π΅ΠΊ­ΡΡ‚ΠΎ­Π²ΠΈ, ΠΎΠ΄ ΠΊΠΎΠΈ 210 сС Π²ΠΎ Ρ„ΠΎ­Π½ΠΎ­Ρ‚Π΅­ΠΊΠ°­Ρ‚Π° Π½Π° ΠœΠ Π’Π’ ΠΈ сС ΠΏΡƒΡˆ­Ρ‚Π°­Π°Ρ‚ Π²ΠΎ Π΅Ρ‚Π΅­Ρ€ΠΎΡ‚. Π—Π° ΠΆΠ°Π», Π‘Π»Π°­Π³ΠΎΡ˜­Ρ‡Π΅ Π²Π΅­ΡœΠ΅ Π½Π΅ Π΅ ΠΌΠ΅­Ρ“Ρƒ ΠΆΠΈ­Π²ΠΈ­Ρ‚Π΅ Π½ΠΎ ос­Ρ‚Π°­Π½Ρƒ­Π²Π°­Π°Ρ‚ Π½Π΅­Π³ΠΎ­Π²ΠΈ­Ρ‚Π΅ Π΄Π΅­Π»Π°.
"Π§ΠΈ­Ρ˜Π° си" ΠΈ Π½Π°­Ρ‚Π°­ΠΌΡƒ Ρ‚Ρ€Π°­Π³Π° ΠΏΠΎ сво­ΠΈ­Ρ‚Π΅ ΠΎΠ΄­Π³ΠΎ­Π²ΠΎ­Ρ€ΠΈ. Мо­ΠΆΠ΅­Π±ΠΈ Π΄Π°­ΠΌΠ°­Ρ‚Π° - ΡƒΠ±Π°­Π²ΠΈ­Ρ†Π°­Ρ‚Π°, сС­ΠΏΠ°ΠΊ ќС ΠΏΡ€ΠΎ­Π³ΠΎ­Π²ΠΎ­Ρ€ΠΈ. Но, Π΅Π΄Π΅Π½ ΠΎΠ΄­Π³ΠΎ­Π²ΠΎΡ€ ΠΊΠ°­ΠΊΠΎ Π΄Π° сС слу­ΡˆΠ°: "Π§ΠΈ­Ρ˜Π° си? - На Ρ‚ΠΎΡ˜ сум, ΠΊΠΎ­Π³ΠΎ јас Π³ΠΎ Ρ™Ρƒ­Π±Π°ΠΌ".

Ристо ΠŒΠΎΡ€Ρ‚ΠΎΡˆΠ΅Π² , вСсник ВСст 2009 Π³.



Π‘Π»Π°Π²Π΅ Π”ΠΈΠΌΠΈΡ‚Ρ€ΠΎΠ² Чија си Lyrics

Има Π΅Π΄Π΅Π½ Π΄ΠΎΠΌ срСд ΠΆΠΎΠ»Ρ‚ΠΎ лисјС
стан Π΅ Ρ‚ΠΎΡ˜ Π²ΠΎ ситС мисли
ΠΏΠΎΠΊΡ€ΠΈΠ² Ρ‚ΠΎΡ˜ Π΅ Ρ‚Π²ΠΎΡ˜ ΠΈ ΠΊΠΎΡˆΠΌΠ°Ρ€ Ρ‚ΠΎΡ˜ Π΅ мој
Ρ€Π΅Π΄ΠΎΠΊ ΠΌΠΈΠ³ ΠΏΡ€Π΅Π΄ ΠΊΡƒΡœΠ΅Π½ ΠΏΡ€Π°Π³
скриСн ΠΏΠΎΠ³Π»Π΅Π΄ Ρ‚ΠΎΠ»ΠΊΡƒ Π΄Ρ€Π°Π³, ΠΊΠΎ бој

БСкој Π΄Π΅Π½ си Ρ‚ΠΈ ΠΏΠΎΠ΄ иста стрСа
Π³ΡƒΠ»Π°Π±Π΅Ρ† Π²ΠΎ Π»Π΅Ρ‚ Π²ΠΎ Π²ΠΎΠ·Π΄ΡƒΡ… смСа
Π›Π°Π΄Π½Π° ΠΊΠ°ΠΊΠΎ Π»Π΅Π΄ ΠΏΠ° Π±ΡƒΡ˜Π½Π° ΠΊΠ°ΠΊΠΎ Ρ†Π²Π΅Ρ‚
ΡΡ‚ΠΎΡ˜Π°ΠΌ Π΄ΠΎΠ»Π³ΠΎ Π΄ΠΎΠ»Π³ΠΎ јас
Π³Π»Π΅Π΄Π°ΠΌ Ρ‡ΡƒΠ΄Π½ΠΎ ΠΈ Π±Π΅Π· глас ΠΊΠΎ Π½Π΅ΠΌ

Ρ€Π΅Ρ„:
Чија си, Π½Π° ΠΊΠΎΠ³ΠΎ радост Ρ‚ΠΈ ΠΌΡƒ носиш
Ρ•Π²Π΅Π·Π΄Π° си, Π²ΠΎ нСкој ΠΎΠ±Π»Π°ΠΊ ΠΊΠ°ΠΊΠΎ ΠΏΠ»Π°ΠΌ
Ρ‡ΠΈΡ˜Π° си, ΠΈ кој Ρ‚ΠΈ Π³Π°Π»ΠΈ Π΄ΠΎΠ»Π³ΠΈ коси
свСт си мој, Π° Π½ΠΈΡ‚Ρƒ ΠΈΠΌΠ΅ Π½Π΅ Ρ‚ΠΈ Π·Π½Π°ΠΌ

Има Π΅Π΄Π΅Π½ Π΄Π΅Π½ ΡˆΡ‚ΠΎ Π½Π΅ сС Π·ΠΎΡ€ΠΈ
скриСн Π΅ Ρ‚ΠΎΡ˜ Π²ΠΎ сказни Π³ΠΎΡ€ΠΈ
ΠΌΠΎΡ€Π° Π΄Π° си Ρ‚ΠΈ ΠΎΠ΄ Π½Π΅Π±ΠΎ Π΅Π΄Π΅Π½ Π΄Π΅Π»
Π΅Π΄Π΅Π½ Π΄ΠΎΠΏΠΈΡ€ Ρ‚ΠΎΠ»ΠΊΡƒ ΠΌΠ°Π»
Π΅Π΄Π΅Π½ Π±Π°ΠΊΠ½Π΅ΠΆ сосСм ΠΌΠ°Π», Π° Π²Ρ€Π΅Π»

publicitet.mk


abvedit ΠΏΠ΅Ρ‚Π°ΠΊ, 8. Π½ΠΎΠ²Π΅ΠΌΠ±Π°Ρ€ 2019.
Football Against The Enemy – Simon Kuper





Simon Kuper traveled across the world and explored the impact of politics on football for this book. We tell you Football Against The Enemy is a must buy.


“They say in Brazil, even the smallest village has a church and a football field – well, not always a church, but certainly a football field.”

It’s hard to argue with this quote, in so much that football is, at its essence, a simple game. Nothing can be easier to grasp than people chasing a ball and shooting it into the net to win; or to provide such a space, even if there aren’t actual nets at both ends and only goalposts or even two sticks to mark the territory enclosing the goal. What isn’t simple are the people. And not just on the field, which is inhabited by just 22, but the millions across the globe who are affected by it every day. Simon Kuper, self-declared footballing anthropologist and the author of the road trip that is Football Against the Enemy, is living proof. His life spans multiple countries, not least having been born in Africa and sent off to live with the ‘cultured’ Europeans. And that’s why his journey to discover the heart beating inside every follower of the beautiful game is so revealing. It’s as much a study of man as it is of the sport.

Simon starts off with his beloved Europe, heading deep into central Europe’s tense climate just years after the dissolution of the Warsaw Pact and USSR, where political turmoil is sweeping the nations and the people in them.



Over the last century, two great wars and several smaller ones have seen countries broken up and eternally set against each other. Kuper sees how football ties into this with historically motivated selections of teams, as well as support by the crowds. Through interviews and frank discussions with individuals across these countries, he realises the animosity Slovakia has for the Hungarians – with the President comparing the latter with ruffians at a European match between the clubs of two nations. He sees how the refusal of Estonia to allow Russian immigrants to even be considered for the national team despite better quality shows the fracture that has formed through Stalin’s oppressive regime. Football victories matter little when there are more serious underpinnings to the choices made that led to the wins. As Martin Reim, one of the stars of the Estonian side pointed out, “There are so few Estonian players – maybe it is to encourage young Estonians to play football?” and then, maybe reflecting on the many games in which his penetrative passes were squandered by his team-mates, he finishes by saying,


“It is true that maybe there are Russian players who could do better now.”

But not all nations desire to separate the umbilical cord that binds them to their fellow footballers. In an interesting turn of the situation, while Catalonia cheers on every newly-formed nation, they are content to stay put by only basking in regional pride. There is no need or motivation to leave Spain; too much uncertainty or change is a bad thing for them – though in recent times that sentiment has changed, whether by the 2014 referendum or the increasing pro-Catalonia stirrings in this state.

However, whether divided or united, it largely comes down to other forms of currency for football-crazy nations. Clubs are not just political, but also monetary machines. In Ukraine, the president lives off food coupons while the players drive around in Mercedes. Kiev could be a part of a nation suffering from the agony of want, whereas Dynamo their premier club is anything but – fashioned into a well-oiled machine through one of the first ever specialised and scientific training regimens when under the tenure of Valeriy Lobanovskiy.


“Science has made Dynamo the club of the USSR. In fact, the entire club team masqueraded as the national side at the 1976 Olympics to win bronze. If it hadn’t been for the referees, we would have won gold!”

– Anatoly Zelentsov

Money changing hands is also important for cash-strapped nations in more ways than one – transfers are used as economic tools of progression. It isn’t a reach to believe that impoverished clubs are highly dependent on emerging starlets to bankroll them by attracting the attention of Western teams. This all leads into an idolatry of the west. London is seen as the height of progressive power, which is at odds with the inferiority complex felt by the English themselves. This gets brought to the forefront especially with Margaret Thatcher, who got removed from power because she was unable to showcase the signs of strength Paul Gascoigne could – that of an Englishman rising from the back alleys of poverty to take on the rich continentals. Whether he won or lost wasn’t the question, it was the fight that made him so dear to the people. As the author admits, post-war Britain can be seen in the eyes of a tearful Gazza walking off the pitch during the 1990 World Cup semi-final even as England lose.England’s Paul Gascoigne wipes tears away after defeat by West Germany in Turin

In the dark underbelly of football, corruption is rampant. People justify their bribes and match-fixing to Kuper as being a universal action that cancels out and makes the world a fair place. Positions of power were to be made permanent, the status quo had to prevail. Not only in the expanses of Europe, but even in the deep hearts of South America and Africa – this disease was global in nature. This partly explains why Africa, a football nation considered flowing in talent (natural suppleness as claimed by journalists, though Kuper begs to differ – they practiced, we did too), doesn’t perform up to expectations. It is Kuper’s next stop and subject of analysis, and Roger Milla becomes an excellent lens to view the challenges inherent in the continent – as racism and political manoeuvring stifles the game. A match between two fierce and beloved clubs can only occur in the President’s presence – and is used as a platform to curry popular opinion. Who can hate a man who ensures the game goes on?

Financial struggles also plague the African nations – many of its players go unpaid as they prepare for the World Cup. The managers start paying out of their own pocket, and when that becomes scant – it falls on the already burdened taxpayers. Football remains beloved, but the people involved less so. Milla though prefers to look at the bright side and stresses on the simplicity of the game – it’s a great leveller. A small nation can take on a superpower and come up triumphant.

There is another factor involved when it comes to performing on a global stage, and that is identity. And what better way to showcase a cultural persona to the world than a patent style of football? Kuper shows his interest in this as well – how exactly playing styles came about. Italians are methodical defenders; an interview with Helenio Herrera reveals the emergence of the Catenaccio evolving through his teachings. The style encourages more structured training programs, man to man marking and eccentric motivational meetings. As Herrera says,


“I throw the ball to a player. When I ask why we will win, he must yell we’ll win because we want to! We must have it! Ah ah ah!”

In Brazil, the folklore of the Malandros brings up the essence of Brazilian football as not a game, but a dance with trickery at its heart. This was seen when the British outlawed black people from playing football in a clear echo of South African apartheid, but the Brazilians powdered themselves white and continued to play.

However, Kuper realises from these talks that every style has a generational ending sometimes – football abhors rigidity. Herrera complains that Italians became dull and defensive, instead of solid and exciting which was how he structured them to be, while Pele gets called an old bitter man for calling Lothar Matthaus the only one playing like a Brazilian at the 1990 world cup – as Brazil abandons their role of footballing artists with an Italian manager at the helm. Though to their credit, the Dutch people didn’t accept Bobby Robson imposing a dictatorial regime on their beloved PSV; the man who refused to learn anything new was shown the door despite two years of brilliance. The notion that ‘artists may win you games, but soldiers always will’ failed to gain currency with the fun loving public, even as Brazil turned on the manager when the losses piled up. A nation’s heartbeat is the way its footballing team plays, and for Brazil particularly, players abandoning the spirit of the country are seen as traitors. Although, winning always helps.Argentina coach Cesar Luis Menotti staring down dictator, General Videla.

No country’s rulers know this better than Argentina. President Menen makes time out of his schedule for a game with Bobby Charlton’s Olympic bid team, but can’t find any space for the foreign secretary of England; he leads his own team onto the field to play. Letting off coaches with rape charges because ‘they are very good’ and using the barrabravas as a hit squad to ensure his team won – it’s all in a day’s work for the President. While across the pond, Silvio Berlusconi buys a football club, becomes its chairman and coins the name of his political party after a popular Italian football chant. Politics and power go hand in hand – and who’s more powerful than someone with the love of football in his heart? There are other factors to consider as well sometimes – as an intriguing display of power is shown in the Old Firm rivalry, with religion rearing its controversial head sometime back. But the ‘Protestant’ Rangers against ‘Catholic’ Celtic agenda has died down over the years after both began accepting players of the opposite faith into their ranks, even though it was mostly because of political agendas. Voters aren’t exactly that easy to segregate by religion – it would be destructive for any politician to do so!

As the global event that was the 1994 World Cup drew nearer, Kuper investigated USA, the centre of all the hullabaloo. As a nation, it is still one that refers to football as soccer – keeping the sport as a thing of amusement rather than passion. The sport is still slowly clawing its way into the hearts of the people. One of the better impacts of this late transition has been the gender equality afforded to the players. For the other countries though, in awe of the United States in political forums, the World Cup represents the perfect platform to show that superpowers can be taken down – what better place than in their own backyard? And that is the central idea of the book: That football is, even after almost 150 years of inception, still growing and evolving alongside the people that explore the game. For some, it is a means to fight when they can’t fight elsewhere. For others, a power-play. While for most of us, it is something to follow with bated breath as the daily lives and struggles become insignificant when the roar of millions reverberates around the stadium – cheering and mocking every pass, every tackle, every run, every goal.A supporters of Young Boys of Bern lights a flare during during a Champions League Group Play-off first leg football match against Tottenham Hotspur on August 17, 2010, at the Stade de Suisse, in Bern.(Photo credit FABRICE COFFRINI/AFP/Getty Images)

Kuper leaves it up to us to determine whether football has actually improved lives even as, in his own flawed human way, he tends to provide biased arguments as to who he sees as being the heroes and villains of the game. But just like most of us, he is just a spectator to something massive in nature. And he understands that. In every interview, you can see the pain he is going through to explain why people react the way they do to the game. The game is simple, the people are not. A million hearts have a million reasons.

This book manages to show that in a vivid and humane way of imperfection. It might not be a critical magnum opus that has proper answers and explanations to questions at the heart of the game, but a journey of someone familiar – Kuper is a football fan just like us. Picking up this book, you will understand the depth of the game and how it can be futile to explain away in a simple way why it rouses such complicated passionate sensibilities in people. The journey is the destination sometimes – and some questions have no answers.


The author leaves us with one small amusing and, at the same time, heart-breaking statement. The USA has repeatedly tried to intervene to ensure the Haiti junta remove the dictatorial hold over their own country – but as one general says frankly, they have no time to negotiate. What is more important? The USA strikes of everyday or a global event that happens every four years?


Yes, as Bill Shankly once famously said, football isn’t a matter of life or death. It is infinitely much much more serious than that.

footballparadise.com

abvedit
Π˜Π—Π›Π•Π—Π• ПОБВΠ₯УМНО ΠžΠ‘ΠˆΠΠ’Π•ΠΠΠ’Π ΠΠ’Π’ΠžΠ‘Π˜ΠžΠ“Π ΠΠ€Π˜ΠˆΠ НА ПРИНБ

ПРИНБ

Π§Π΅Ρ‚ΠΈΡ€ΠΈ Π΄Π΅Π½Π° ΠΏΡ€Π΅Π΄ смртта ΠΎΠ΄ ΡΠ»ΡƒΡ‡Π°Ρ˜Π½ΠΎ ΠΏΡ€Π΅Π΄ΠΎΠ·ΠΈΡ€Π°ΡšΠ΅ со Π»Π΅ΠΊΠΎΠ²ΠΈ, Π ΠΎΡŸΠ΅Ρ€ НСлсон, ΠΈΠ»ΠΈ ΡƒΠΌΠ΅Ρ‚Π½ΠΈΠΊΠΎΡ‚ ΠΏΠΎΠ·Π½Π°Ρ‚ ΠΊΠ°ΠΊΠΎ ΠŸΡ€ΠΈΠ½Ρ, ΠΌΡƒ сС јавил Π½Π° Π°Π²Ρ‚ΠΎΡ€ΠΎΡ‚ ΠΊΠΎΠΌΡƒ ΠΌΡƒ Π½Π°Ρ€Π°Ρ‡Π°Π» Π΄Π° ја напишС Π°Π²Ρ‚ΠΎΠ±ΠΈΠΎΠ³Ρ€Π°Ρ„ΠΈΡ˜Π°Ρ‚Π°, Π”Π°Π½ ΠŸΠΈΠΏΠ΅Π½Π±Ρ€ΠΈΠ½Π³, Π·Π° Π΄Π° ΠΌΡƒ ΠΊΠ°ΠΆΠ΅ Π΄Π΅ΠΊΠ° сС чувствува Π΄ΠΎΠ±Ρ€ΠΎ. Π’ΠΎ Ρ‚ΠΎΡ˜ ΠΏΠ΅Ρ€ΠΈΠΎΠ΄ ΠΌΠ΅Π΄ΠΈΡƒΠΌΠΈΡ‚Π΅ извСстувалС Π΄Π΅ΠΊΠ° Π°Π²ΠΈΠΎΠ½ Π²ΠΎ кој Π»Π΅Ρ‚Π°Π» ΠΌΡƒΠ·ΠΈΡ‡Π°Ρ€ΠΎΡ‚ Π±ΠΈΠ» ΠΏΡ€ΠΈΠ½ΡƒΠ΄Π΅Π½ Π΄Π° сС ΠΏΡ€ΠΈΠ·Π΅ΠΌΡ˜ΠΈ Π·Π°Ρ‚ΠΎΠ° ΡˆΡ‚ΠΎ ΠΌΡƒ сС слошило. Π”Π²Π°Ρ˜Ρ†Π°Ρ‚Π° сС Π΄ΠΎΠ³ΠΎΠ²ΠΎΡ€ΠΈΠ»Π΅ Π·Π° срСдба Π½Π° која Ρ‚Ρ€Π΅Π±Π°Π»ΠΎ Π΄Π° Π³ΠΈ дискутираат Π΄Π΅Ρ‚Π°Π»ΠΈΡ‚Π΅ ΠΎΠΊΠΎΠ»Ρƒ ΠΌΠ΅ΠΌΠΎΠ°Ρ€ΠΎΡ‚ Π½Π° кој Π·Π°Π΅Π΄Π½ΠΈΡ‡ΠΊΠΈ Ρ€Π°Π±ΠΎΡ‚Π΅Π»Π΅ послСднитС Ρ‚Ρ€ΠΈ мСсСци.
На 21 Π°ΠΏΡ€ΠΈΠ», ΠŸΠΈΠΏΠ΅Π½Π±Ρ€ΠΈΠ½Π³, ΠΊΠ°ΠΊΠΎ ΠΈ остатокот ΠΎΠ΄ свСтот, Π±ΠΈΠ» Π·Π°Ρ‚Π΅ΠΊΠ½Π°Ρ‚ ΠΎΠ΄ вСститС Π΄Π΅ΠΊΠ° ΠŸΡ€ΠΈΠ½Ρ Π±ΠΈΠ» најдСн ΠΌΡ€Ρ‚ΠΎΠ². ИзлСгло Π΄Π΅ΠΊΠ° Π½Π΅Π³ΠΎΠ²Π°Ρ‚Π° Π°Π²Ρ‚ΠΎΠ±ΠΈΠΎΠ³Ρ€Π°Ρ„ΠΈΡ˜Π° Π΅ послСдниот Π³ΠΎΠ»Π΅ΠΌ ΠΏΡ€ΠΎΠ΅ΠΊΡ‚, кој Π·Π° ΠΆΠ°Π» Π½Π΅ успСал Π΄Π° Π³ΠΎ Π·Π°Π²Ρ€ΡˆΠΈ.
ΠšΠ½ΠΈΠ³Π°Ρ‚Π° сСга, Ρ‚Ρ€ΠΈ Π³ΠΎΠ΄ΠΈΠ½ΠΈ ΠΏΠΎ Π½Π΅Π³ΠΎΠ²Π°Ρ‚Π° смрт, ΠΈΠ·Π»Π΅Π³ΡƒΠ²Π° Π½Π° гСрмански ΠΈ Π½Π° англиски. Насловот Π΅ ΠΎΠ΄Π±Ρ€Π°Π½ ΠΎΠ΄ самиот ΠŸΡ€ΠΈΠ½Ρ, ΠΊΠ°ΠΊΠΎ Π°ΡΠΎΡ†ΠΈΡ˜Π°Ρ†ΠΈΡ˜Π° Π½Π° Ρ€ΠΎΠΊ Π±Π°Π»Π°Π΄Π°Ρ‚Π° Π½Π° Π½Π΅Π³ΠΎΠ²ΠΈΠΎΡ‚ Π°Π»Π±ΡƒΠΌ „ΠŸΡ€ΠΏΠ» Ρ€Π΅Ρ˜Π½“. ΠŸΠΈΠΏΠ΅Ρ€Π½Π±Ρ€ΠΈΠ½Π³, кој Π³ΠΎ Π·Π°ΠΏΠΎΠ·Π½Π°Π» ΠŸΡ€ΠΈΠ½Ρ Π²ΠΎ 2016 ΠΊΠΎΠ³Π° Π±ΠΈΠ» 29-годишСн ΡƒΡ€Π΅Π΄Π½ΠΈΠΊ Π½Π° ΠΏΠΎΠ·Π½Π°Ρ‚ΠΎΡ‚ΠΎ ΠΊΠ½ΠΈΠΆΠ΅Π²Π½ΠΎ списаниС The Paris Review, Π½Π΅ сакал Π΄Π° објави Π½Π΅ΡˆΡ‚ΠΎ „ΠΊΠΎΠ»ΠΊΡƒ Π΄Π° сС Ρ€Π΅Ρ‡Π΅“, само Π·Π° Π΄Π° Π·Π°Ρ€Π°Π±ΠΎΡ‚ΠΈ ΠΎΠ΄ смртта Π½Π° ΡΠ²ΠΎΡ˜ΠΎΡ‚ славСн ΡΡƒΠ±Ρ˜Π΅ΠΊΡ‚, Ρ‚ΡƒΠΊΡƒ Π΄Π° ΠΌΡƒ ја ΠΎΠ΄Π΄Π°Π΄Π΅ ΠΏΠΎΡ‚Ρ€Π΅Π±Π½Π°Ρ‚Π° ΠΏΠΎΡ‡ΠΈΡ‚, ΠΈ ΠΊΠ½ΠΈΠ³Π°Ρ‚Π° Π΄Π° ΠΎΠ΄Π³ΠΎΠ²Π°Ρ€Π° Π½Π° ΠΏΡ€Π²ΠΈΡ‡Π½ΠΈΡ‚Π΅ ΠΈΠ΄Π΅ΠΈ ΠΊΠΎΠΈ Ρ‚ΠΎΡ˜ Π³ΠΈ ΠΈΠΌΠ°Π». Π‘ΠΎ мСсСци истраТувал ΠΏΠΎ ΠΎΡΡ‚Π°Π²ΡˆΡ‚ΠΈΠ½Π°Ρ‚Π° Π½Π° ΠŸΡ€ΠΈΠ½Ρ ΠΈ нашол ΠΊΡƒΠΏ Π½Π΅ΡˆΡ‚Π° ΠΎΠ΄ Π½Π΅Π³ΠΎΠ²ΠΎΡ‚ΠΎ дСтство - Π½ΠΎΠ²Ρ‡Π°Π½ΠΈΠΊΠΎΡ‚ Π½Π° Ρ‚Π°Ρ‚ΠΊΠΎ ΠΌΡƒ, студСнтската книшка, Ρ†Ρ€Ρ‚Π΅ΠΆΠΈ, стихови Π·Π° пСсни ΠΈ Ρ„ΠΎΡ‚ΠΎΠ³Ρ€Π°Ρ„ΠΈΠΈ. Π—Π° ΠΆΠ°Π» Π½Π΅ ΠΈ Π½Π΅ΡˆΡ‚ΠΎ ΡˆΡ‚ΠΎ Π»ΠΈΡ‡Π΅Π»ΠΎ Π½Π° Π΄Π½Π΅Π²Π½ΠΈΠΊ.
ΠšΠ½ΠΈΠ³Π°Ρ‚Π° Π΅ ΠΏΠΎΠ΄Π΅Π»Π΅Π½Π° Π½Π° Ρ‡Π΅Ρ‚ΠΈΡ€ΠΈ поглавја, Π° Π²ΠΎ Π²ΠΎΠ²Π΅Π΄ΠΎΡ‚ Π΄ΠΎΠ»Π³ скоро 50 страници Π°Π²Ρ‚ΠΎΡ€ΠΎΡ‚ Π·Π±ΠΎΡ€ΡƒΠ²Π° Π·Π° своитС Π±Ρ€ΠΎΡ˜Π½ΠΈ срСдби со ΡˆΠ°Ρ€ΠΌΠ°Π½Ρ‚Π½ΠΈΠΎΡ‚ ΠΈ самокритичниот ΠΌΡƒΠ·ΠΈΡ‡Π°Ρ€, ΠΈ ΡˆΠΎΠΊΠΎΡ‚ ΠΊΠΎΠ³Π° Π΄ΠΎΠ·Π½Π°Π» Π·Π° Π½Π΅Π³ΠΎΠ²Π°Ρ‚Π° смрт. Π‘Π»Π΅Π΄Π°Ρ‚ повСќС ΠΎΠ΄ 50 страници напишани ΠΎΠ΄ самиот ΠŸΡ€ΠΈΠ½Ρ, Π²ΠΊΠ»ΡƒΡ‡ΡƒΠ²Π°Ρ˜ΡœΠΈ Π³ΠΈ ΠΈ Π½Π΅Π³ΠΎΠ²ΠΈΡ‚Π΅ ΠΏΡ€Π²ΠΈ спомСни ΠΈ чувства Π·Π° Π½Π΅Π³ΠΎΠ²ΠΈΡ‚Π΅ Ρ€ΠΎΠ΄ΠΈΡ‚Π΅Π»ΠΈ. ΠŸΡ€Π²ΠΈΠΎΡ‚ Π±Π°ΠΊΠ½Π΅ΠΆ Π³ΠΎ Π΄ΠΎΠ±ΠΈΠ» ΠΎΠ΄ нСкоја ΠΏΠ΅Ρ‚Π³ΠΎΠ΄ΠΈΡˆΠ½Π° Π›Π°ΡƒΡ€Π°, Π° ΠΎΠ΄ Ρ…Π΅Ρ€ΠΎΠΈΡ‚Π΅ Π½Π°Ρ˜ΠΌΠ½ΠΎΠ³Ρƒ Π³ΠΎ сакал Π‘ΡƒΠΏΠ΅Ρ€ΠΌΠ΅Π½. ΠŸΠΈΡˆΡƒΠ²Π° ΠΈ Π·Π° ΠΊΠ°Ρ€Π°Π½ΠΈΡ†ΠΈΡ‚Π΅ ΠΏΠΎΠΌΠ΅Ρ“Ρƒ Π½Π΅Π³ΠΎΠ²ΠΈΡ‚Π΅ Ρ€ΠΎΠ΄ΠΈΡ‚Π΅Π»ΠΈ ΡˆΡ‚ΠΎ Π΄ΠΎΠ²Π΅Π»Π΅ Π΄ΠΎ Π½ΠΈΠ²Π½ΠΈΠΎΡ‚ Ρ€Π°Π·Π²ΠΎΠ΄, ΠΊΠ°ΠΊΠΎ ΠΈ Π·Π° ΠΏΡ€Π²ΠΈΠΎΡ‚ настап Π½Π° школо, Π½Π΅ ΠΊΠ°ΠΊΠΎ ΠΌΡƒΠ·ΠΈΡ‡Π°Ρ€ Ρ‚ΡƒΠΊΡƒ Ρ‚Π°Π½Ρ‡Π°Ρ€-стСпСр.
Π‘Π»Π΅Π΄Π°Ρ‚ Ρ‚ΠΈΠ½Π΅Ρ˜ΡŸΠ΅Ρ€ΡΠΊΠΈΡ‚Π΅ Π³ΠΎΠ΄ΠΈΠ½ΠΈ ΠΊΠΎΠΈ Π³ΠΈ ΠΏΠΎΠΌΠΈΠ½Π°Π» Π²ΠΎ подрумско студио Π½Π° Π½Π΅Π³ΠΎΠ² ΠΏΡ€ΠΈΡ˜Π°Ρ‚Π΅Π» ΡΠ»ΡƒΡˆΠ°Ρ˜ΡœΠΈ Π³ΠΈ Π‘ΠΈ-Π±ΠΈ Кинг, ЏСјмс Π‘Ρ€Π°ΡƒΠ½, АрСта Π€Π»Π΅Π½ΠΊΠ»ΠΈΠ½, ΠΈ Π·Π°ΠΏΠΈΡˆΡƒΠ²Π°Ρ˜ΡœΠΈ Π³ΠΈ Π½ΠΈΠ²Π½ΠΈΡ‚Π΅ стихови. ΠŸΠΎΠ΄ΠΎΡ†Π½Π° ΠΏΠΎΡ‡Π½Π°Π» Π΄Π° ΠΏΠΈΡˆΡƒΠ²Π° ΠΈ свои, ΠΈ Π΄Π° Π³ΠΎ користи сопствСниот глас ΠΊΠ°ΠΊΠΎ Π΅Π΄Π΅Π½ ΠΎΠ΄ ΠΌΠ½ΠΎΠ³ΡƒΡ‚Π΅ инструмСнти ΠΊΠΎΠΈ Π³ΠΈ совладал Π²ΠΎ ΠΌΠ΅Ρ“ΡƒΠ²Ρ€Π΅ΠΌΠ΅. Кога ΠΏΡ€Π² ΠΏΠ°Ρ‚ сС ΡΠ»ΡƒΡˆΠ½Π°Π» Π½Π° Ρ€Π°Π΄ΠΈΠΎ, ΠŸΡ€ΠΈΠ½Ρ Π²Π΅Π»ΠΈ Π΄Π΅ΠΊΠ° Π½Π΅ сС ΠΏΡ€Π΅ΠΏΠΎΠ·Π½Π°Π». Па сСпак, славата дошла Π±Ρ€Π³Ρƒ, ΠΈ ΠΊΠ°Ρ€ΠΈΠ΅Ρ€Π°Ρ‚Π° ΠΌΡƒ Ρ‚Ρ€Π³Π½Π°Π»Π° ΡƒΠ³ΠΎΡ€Π΅ ΠΊΠΎΠ³Π° ΠΈΠΌΠ°Π» само 19 Π³ΠΎΠ΄ΠΈΠ½ΠΈ.
Π’ΠΎ ΠΊΠ½ΠΈΠ³Π°Ρ‚Π° сС Π½Π°Π±Ρ€ΠΎΡ˜ΡƒΠ²Π°Π°Ρ‚ Π³ΠΎΠ»Π΅ΠΌ Π±Ρ€ΠΎΡ˜ снимки, ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡ†ΠΈΠΈ ΠΈ настани ΠΎΠ΄ Π±ΠΎΠ³Π°Ρ‚Π°Ρ‚Π° ΠΊΠ°Ρ€ΠΈΠ΅Ρ€Π° Π½Π° ΠΌΡƒΠ·ΠΈΡ‡Π°Ρ€ΠΎΡ‚. Π¨Ρ‚ΠΎ сС однСсува Π΄ΠΎ односот ΠΊΠΎΠ½ Π½Π΅Π³ΠΎΠ²ΠΈΡ‚Π΅ ΠΊΠΎΠ»Π΅Π³ΠΈ, само ΠΌΠ°Π» Π±Ρ€ΠΎΡ˜ заслуТувалС Π΄Π° Π±ΠΈΠ΄Π°Ρ‚ Π²ΠΎ ΠΊΠ°Ρ‚Π΅Π³ΠΎΡ€ΠΈΡ˜Π°Ρ‚Π° „Π°Π»Ρ„Π°“ Π·Π°Π΅Π΄Π½ΠΎ со Π½Π΅Π³ΠΎ - Π›Π΅Π½ΠΈ ΠšΡ€Π°Π²ΠΈΡ†, Мајкл ЏСксон ΠΈ Π‘ΠΈΠΎΡ˜Π½ΡΠ΅. Π‘Π΅ Π³Ρ€ΠΎΠ·Π΅Π» ΠΎΠ΄ ΠΏΠΎΠΏ ΠΏΠ΅Ρ˜Π°Ρ‡ΠΈ ΠΎΠ΄ Ρ‚ΠΈΠΏΠΎΡ‚ Π½Π° ΠšΠ΅Ρ‚ΠΈ ΠŸΠ΅Ρ€ΠΈ ΠΈ Π•Π΄ Π¨ΠΈΡ€Π°Π½, Π° ΠΊΠΎΠ³Π° Π·Π±ΠΎΡ€ΡƒΠ²Π°Π» со ΠŸΠΈΠΏΠ΅Π½Π±Ρ€ΠΈΠ½Π³ Π·Π° ΡΠΎΡΡ‚ΠΎΡ˜Π±Π°Ρ‚Π° Π½Π° дискографската ΠΈΠ½Π΄ΡƒΡΡ‚Ρ€ΠΈΡ˜Π°, Ρ€Π΅ΠΊΠΎΠ»: „ΠœΠ°Ρ˜ΠΌΡƒΠ½ΠΈ ΠΈ ΠΏΡ€ΠΈΠΌΠ°Ρ‚ΠΈ ΠΌΠΎΠΆΠ°Ρ‚ Π΄Π° ΠΏΡ€ΠΎΠ΄Π°Π²Π°Π°Ρ‚ ΠΌΡƒΠ·ΠΈΠΊΠ°“.
И ΠΏΠΎΠΊΡ€Π°Ρ˜ ΠΎΠ½Π° ΡˆΡ‚ΠΎ ΠΈΠ·Π³Π»Π΅Π΄Π° ΠΊΠ°ΠΊΠΎ арогантност,  ΠΏΠ΅Ρ‚ ΠΌΠΈΠ½ΡƒΡ‚ΠΈ ΠΏΡ€Π΅Ρ‚Ρ…ΠΎΠ΄Π½ΠΎ Π΄Π° станС ΠΈΠ·Π²ΠΎΠ΄Π»ΠΈΠ²ΠΎ“. Π‘ΠΏΠΎΡ€Π΅Π΄ Π°Π²Ρ‚ΠΎΡ€ΠΎΡ‚ ΠΌΠΎΡ‚ΠΈΠ²ΠΎΡ‚ Π΄Π° напишС ΠΌΠ΅ΠΌΠΎΠ°Ρ€ Π±ΠΈΠ»Π° Π²Ρ€Π·Π°Π½Π° Π·Π° Ρ„Π°ΠΊΡ‚ΠΎΡ‚ Π΄Π΅ΠΊΠ° старСС ΠΈ Π΄Π΅ΠΊΠ° Ρ‚Ρ€Π΅Π±Π° Π½Π΅ΡˆΡ‚ΠΎ Π΄Π° остави ΠΊΠ°ΠΊΠΎ наслСдство освСн ΠΌΡƒΠ·ΠΈΠΊΠ°Ρ‚Π°. Π—Π° ΠΌΠ½ΠΎΠ³ΡƒΠΌΠΈΠ½Π° ΠΎΠ²Π°Π° Π°Π²Ρ‚ΠΎΠ±ΠΈΠΎΠ³Ρ€Π°Ρ„ΠΈΡ˜Π° ΠΏΠΎΠΏΠΎΠ»Π½ΡƒΠ²Π° Π½Π΅ΠΊΠΎΠΈ ΠΏΡ€Π°Π·Π½ΠΈΠ½ΠΈ Π²ΠΎ ΠΎΠ½Π° ΡˆΡ‚ΠΎ ΠΏΡ€Π΅Ρ‚Ρ…ΠΎΠ΄Π½ΠΎ сС Π·Π½Π°Π΅Π»ΠΎ Π·Π° ΠŸΡ€ΠΈΠ½Ρ. Π—Π° Π½Π°Ρ˜Π³ΠΎΠ»Π΅ΠΌΠΈΡ‚Π΅ Ρ„Π°Π½ΠΎΠ²ΠΈ сСпак ΠΌΠΈΡΡ‚Π΅Ρ€ΠΈΡ˜Π°Ρ‚Π° Π·Π° овој ΡƒΠΌΠ΅Ρ‚Π½ΠΈΠΊ сС ΡƒΡˆΡ‚Π΅ ΠΆΠΈΠ²Π΅Π΅.

abvedit Ρ‡Π΅Ρ‚Π²Ρ€Ρ‚Π°ΠΊ, 31. ΠΎΠΊΡ‚ΠΎΠ±Π°Ρ€ 2019.
Книга Π½Π° Калина МалСска „ΠœΠΎΡ˜ΠΎΡ‚ Π½Π΅ΠΏΡ€ΠΈΡ˜Π°Ρ‚Π΅Π» Π˜Ρ‚Π°Ρ€ ПСјо“

Новата ΠΊΠ½ΠΈΠ³Π° Π½Π° Калина МалСска „ΠœΠΎΡ˜ΠΎΡ‚ Π½Π΅ΠΏΡ€ΠΈΡ˜Π°Ρ‚Π΅Π» Π˜Ρ‚Π°Ρ€ ПСјо“ Π²ΠΎ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ Π½Π° Π˜Π›Π˜-Π˜Π›Π˜ ΠΈΠ·Π»Π΅Π·Π΅ ΠΎΠ΄ ΠΏΠ΅Ρ‡Π°Ρ‚ Π½Π΅ΠΎΠ΄Π°ΠΌΠ½Π°, со ΡˆΡ‚ΠΎ Ρ‚Π°Π° стана Π½ΠΎΠ²ΠΎ ΠΈΠΌΠ΅ Π²ΠΎ ΡΠ΅ΠΌΠ΅Ρ˜ΡΡ‚Π²ΠΎΡ‚ΠΎ Π½Π° ΠΎΠ΄Π»ΠΈΡ‡Π½ΠΈ домашни Π°Π²Ρ‚ΠΎΡ€ΠΈ ΠΊΠΎΠΈ ΠΎΠ²Π°Π° ΠΈΠ·Π΄Π°Π²Π°Ρ‡ΠΊΠ° ΠΊΡƒΡœΠ° Π³ΠΈ ΠΈΠ·Π΄Π°Π²Π° Π²ΠΎ ΠΈΠ·ΠΌΠΈΠ½Π°Ρ‚ΠΈΡ‚Π΅ дСсСт Π³ΠΎΠ΄ΠΈΠ½ΠΈ.
Π‘Π΅ Ρ€Π°Π±ΠΎΡ‚ΠΈ Π·Π° Ρ‚Ρ€Π΅Ρ‚Π°Ρ‚Π° Π·Π±ΠΈΡ€ΠΊΠ° раскази Π½Π° МалСска, ΠΈΠ»ΠΈ Π²ΠΊΡƒΠΏΠ½ΠΎ 139-Ρ‚Π° ΠΊΠ½ΠΈΠ³Π° Π²ΠΎ ΠΏΡ€ΠΎΠ·Π½Π°Ρ‚Π° Π΅Π΄ΠΈΡ†ΠΈΡ˜Π° ΠŸΠ ΠžΠ°Π—Π Π½Π° Π˜Π›Π˜-Π˜Π›Π˜. Π˜Π»ΡƒΡΡ‚Ρ€Π°Ρ†ΠΈΡ˜Π°Ρ‚Π° Π½Π° ΠΊΠΎΡ€ΠΈΡ†Π°Ρ‚Π° Π΅ Π½Π° ΠœΠ°Ρ€ΠΈΡ˜Π° БмилСвска, Π΄ΠΈΠ·Π°Ρ˜Π½ΠΎΡ‚ Π½Π° brigada.mk, Π° ΠΊΠ½ΠΈΠ³Π°Ρ‚Π° вСќС ΠΎΠ΄ дСнСска, освСн Π²ΠΎ ΠΊΠ½ΠΈΠΆΠ°Ρ€Π½ΠΈΡ†Π°Ρ‚Π° Π˜Π›Π˜-Π˜Π›Π˜, ΠΌΠΎΠΆΠ΅ Π΄Π° сС најдС ΠΈ Π²ΠΎ останатитС скопски ΠΊΠ½ΠΈΠΆΠ°Ρ€Π½ΠΈΡ†ΠΈ.
Калина МалСска Π΅ макСдонска писатСлка, профСсорка ΠΏΠΎ книТСвност ΠΈ ΠΊΠ½ΠΈΠΆΠ΅Π²Π½Π° ΠΊΡ€ΠΈΡ‚ΠΈΡ‡Π°Ρ€ΠΊΠ°. Π“ΠΈ напишала слСднивС Π΄Π΅Π»Π°:
Π—Π±ΠΈΡ€ΠΊΠΈ раскази: ΠΠ΅Π΄ΠΎΡ€Π°Π·Π±ΠΈΡ€Π°ΡšΠ°, 1998; ΠΈ Π˜ΠΌΠ΅Π½ΡƒΠ²Π°ΡšΠ΅ Π½Π° инсСктот, 2008.
Π ΠΎΠΌΠ°Π½ΠΈ: Π‘Ρ€ΡƒΠ½ΠΎ ΠΈ Π±ΠΎΠΈΡ‚Π΅, 2006; ΠΈ ΠŸΡ€ΠΈΠ·Ρ€Π°Ρ†ΠΈ со срмСни нишки, 2014.
Π”Ρ€Π°ΠΌΠ°: Π‘Π»ΡƒΡ‡ΠΊΠ° ΠΌΠ΅Ρ“Ρƒ настани, 2010.
КниТСвна Ρ‚Π΅ΠΎΡ€ΠΈΡ˜Π° ΠΈ ΠΊΡ€ΠΈΡ‚ΠΈΠΊΠ°: Transformation of the Discourse of Power in Literature, 2016.
Π—Π° ΠΊΠ½ΠΈΠ³Π°Ρ‚Π°, ΠΊΠ½ΠΈΠΆΠ΅Π²Π½Π°Ρ‚Π° ΠΊΡ€ΠΈΡ‚ΠΈΡ‡Π°Ρ€ΠΊΠ° ΠžΠ»ΠΈΠ²Π΅Ρ€Π° ΠŒΠΎΡ€Π²Π΅Π·ΠΈΡ€ΠΎΡΠΊΠ° напиша:
„ ΠΠΈΡˆΡ‚ΠΎ вСќС ΠΏΠΎ „ΠœΠΎΡ˜ΠΎΡ‚ Π½Π΅ΠΏΡ€ΠΈΡ˜Π°Ρ‚Π΅Π» Π˜Ρ‚Π°Ρ€ ПСјо“ Π½Π° Калина МалСска Π½Π΅ΠΌΠ° Π΄Π° Π±ΠΈΠ΄Π΅ ΠΊΠ°ΠΊΠΎ ΡˆΡ‚ΠΎ бСшС со Π½Π΅Ρ˜Π·ΠΈΠ½ΠΈΡ‚Π΅ раскази, Π½ΠΎ ΠΈ со ΠΏΡ€ΠΈΠΊΠ°Π·Π½ΠΈΡ‚Π΅ Π½Π° Π˜Ρ‚Π°Ρ€ ПСјо, Π·Π°ΡˆΡ‚ΠΎ, ΠΊΠΎΠ³Π° ΠΈ Π΄Π° Π³ΠΈ ΡΠ»ΡƒΡˆΠ½Π΅ΠΌΠ΅ – ќС Π·Π½Π°Π΅ΠΌΠ΅ Π΄Π΅ΠΊΠ° Π΅Π΄Π΅Π½ Ρ„ΠΈΠΊΡ‚ΠΈΠ²Π΅Π½ ΠΊΠ½ΠΈΠΆΠ΅Π²Π΅Π½ Π»ΠΈΠΊ со Π·Π°Π±ΠΎΡ€Π°Π²Π΅Π½ΠΎ ΠΈΠΌΠ΅ стои ΠΊΠ°ΠΊΠΎ глас ΠΈ Π·Π°Π΄ Π½Π΅Π°, Π½ΠΎ ΠΈ Π·Π°Π΄ ПСјо, ΠΊΠ°ΠΊΠΎ Π½Π΅Π³ΠΎΠ²Π° Π·Π°ΡƒΠΌΠ½Π° мисла, ΠΊΠ°ΠΊΠΎ сСнка ΠΈ ΠΊΠ°ΠΊΠΎ идСја Π·Π° ΠΎΠΏΡˆΡ‚Π° ΠΏΡ€Π°Π²Π΄Π° ΠΈ правСдност. Како осоврСмСнСта ΠΊΠ½ΠΈΠΆΠ΅Π²Π½Π° вистина Π·Π° Ρ„ΠΎΠ»ΠΊΠ»ΠΎΡ€Π½ΠΎΡ‚ΠΎ наслСдство.







Оваа ΠΎΠ΄Π»ΠΈΡ‡Π½Π° раскаТувачка јас-Ρ‚ΠΎΡ‡ΠΊΠ° Π½Π° измислСн Π»ΠΈΠΊ сопoстaΠ²Π΅Π½ Π½Π° Π˜Ρ‚Π°Ρ€ ПСјо, цСлосно Π³ΠΈ ΠΎΡΠ²ΠΎΡ˜ΡƒΠ²Π° читатСлскитС симпатии ΠΈ Π½Π° распнатото јаТС ΠΏΠΎΠΌΠ΅Ρ“Ρƒ измислСниот Π»ΠΈΠΊ ΠΈ Π½Π΅Π³ΠΎΠ²ΠΈΠΎΡ‚ „Π½Π΅ΠΏΡ€ΠΈΡ˜Π°Ρ‚Π΅Π»“ – Ρ„ΠΎΠ»ΠΊΠ»ΠΎΡ€Π½ΠΈΠΎΡ‚ Ρ…Π΅Ρ€ΠΎΡ˜, Сквилибристички Π²Π΅ΡˆΡ‚ΠΎ Π³ΠΎ Π΄Π²ΠΈΠΆΠΈ исписот Π½Π° Π½ΠΎΠ²Π°Ρ‚Π° ΠΌΠΎΠΆΠ½Π° ΠΊΠ½ΠΈΠΆΠ΅Π²Π½Π° вистина. Или Ρ‚Π°Ρ˜Π½Π°… “. /ΠΊΡ€Π°Ρ˜/со/ст

abvedit
Seo Services